The British poet Raymond Antrobus was six years old when his parents and doctors realized that his ears couldn’t recognize a whole range of sounds. He was fitted with hearing aids and began a life of straddling the Deaf and hearing worlds, going to speech therapy and reading lips, learning British sign language, and attending both Deaf and hearing schools. By necessity, Raymond became an expert in communication and miscommunication, which are recurring themes in his poetry.

This week, Anna talks to Raymond about his memoir The Quiet Ear: An Investigation of Missing Sound and what it was like growing up with a “panicky sensitivity to misunderstandings.”

This episode was produced by Cameron Drews.

Get more Death, Sex & Money with Slate Plus! Membership is 50% off, which means $59 for a whole year of ad-free listening and special episode drops across all Slate podcasts, PLUS unlimited reading on Slate.com and the Slate app, every Slate Game AND you’ll be supporting Slate’s independent journalism at a moment where independent journalism needs all the support it can get.

Go to slate.com/dsmplus and use the promo code DSM50.

If you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Synd, skyld og skam: Hva er forskjellen? Og hvorfor er det viktig? - Aud Karin Kjølvik Ringvoll