How deep and historically grounded is the intertwining of cinema and psychoanalysis? In this episode, we'll listen to Vera Lamanno Adamo on the crafts of filmmaking and psychoanalysis as the art of sculpting time. She weaves correlations between the construction of a film and the analytic process, and draws a parallel between the history of cinema and the history of psychoanalysis.
This episode refers to an article published in Calibán, Latin American Journal of Psychoanalysis, vl.18, n.2, 2020.
Vera Lamanno Adamo is a training and supervising analyst of the Brazilian Psychoanalytic Societies of São Paulo and Campinas. She has published seven books. Her latest are “Work of the Negative”, “Living on the border: psychoanalysis and art”, “In Corners of Life Death Charms” (in Portuguese), and “Teresa Margarida: the audacity of a woman in the 18th century” (in Portuguese).
In 2012, she received the Psychoanalysis and Freedom award from the Psychoanalytic Federation of Latin America for her contribution to the theoretical and clinical development of psychoanalysis, and in 2013 she received the Revista Brasileira de Psicanálise award.
This episode is available also in Portuguese
Talks On Psychoanalysis