Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29
Introduction
00:00 • 3min
The 10 Most Horrible Personal Secrets You Won't Want Anyone to Know
03:29 • 2min
The Most Important Gift You Have as a Storyteller
05:57 • 2min
Empathizing With a Character
08:25 • 2min
The Anti-Hero - What Makes You Like Someone?
10:38 • 5min
The Secret of Great Story Is Confession
15:31 • 2min
You Can Have Many Desires
17:59 • 2min
Everybody Gets Told You Suck at the Beginning
20:23 • 2min
How Do I Get an Agent?
22:38 • 2min
I Don't Enjoy Writing Screenplays, but I Love Analyzing It
24:30 • 3min
Why I'm Crazy When I Get Paid to Create a Story
27:08 • 4min
The BMOC in Television
30:46 • 2min
The Mystery Trilogy Audience Loves Mystery Fillers
32:23 • 2min
The Forex Structure in Television
34:19 • 2min
Commercial Art Is What We Delight In
36:34 • 2min
Breaking Bad - The Obstacle Point
38:54 • 2min
Breaking the a Story Log Line
40:58 • 2min
Movie Log Lines Are About a Hero Who Changes
42:59 • 2min
What's Gonna Change Her?
45:15 • 2min
Up in the Air by George Clooney
47:15 • 2min
The Heroic Model - Character Change
49:14 • 2min
Superheroes Aren't Wound, They're Just Super Heroes
51:35 • 3min
What's the World of Your Show?
54:07 • 5min
Breaking Bad, What's the Great Hook Question?
58:39 • 2min
The Unsavable Dilemma
01:00:47 • 2min
What's the Big Core Wound in Your TV Show?
01:03:13 • 2min
Television and the Longer Form
01:05:21 • 5min
Television Is at Its Best When You Can't Talk About It
01:10:04 • 3min
The Greatest Art Is a Sewer
01:13:20 • 2min