ANNA FUNDER: On Wifedom (and calling out Orwellian “doublethink”)
Apr 16, 2024
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Anna Funder, a bestselling author known for her works on power dynamics, discusses her latest book 'Wifedom,' which scrutinizes the often-overlooked contributions of George Orwell's wife, Eileen O'Shaughnessy. The conversation delves into Orwell's 'doublethink' and its connection to modern patriarchy, exposing the nuances of literary erasure. Funder emphasizes the importance of women's visibility and voices in history while tackling the complexities of cancel culture and societal expectations regarding gender roles. She advocates for systemic changes to rectify these disparities.
Anna Funder's 'Wifedom' reveals how George Orwell's wife, Eileen O'Shaughnessy, significantly contributed to his literary success yet remains largely unrecognized.
The discussion highlights Orwell's 'doublethink' as a reflection of societal power dynamics that enable men to appear decent while benefiting from women's overlooked efforts.
Funder's meticulous research process for 'Wifedom' emphasizes the need to reclaim women's narratives and confront historical erasure in storytelling.
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Unveiling Eileen O'Shaughnessy's Contributions
Anna Funder's book 'Wifedom' highlights the often-overlooked role of Eileen O'Shaughnessy, George Orwell's wife, in his literary success. Funder critiques the historical erasure of Eileen’s contributions to Orwell’s work, noting her essential support and collaboration during his writing process. She stresses how Eileen’s efforts have been minimized or entirely omitted from biographies about Orwell, reflecting a broader pattern of women’s contributions being overshadowed by their male counterparts. This narrative urges a reevaluation of how women’s roles in history are documented and acknowledged.
Exploring Doublethink and Patriarchy
The concept of doublethink, coined by Orwell, is discussed as a phenomenon present in personal and societal power dynamics. The conversation reveals how Orwell believed in certain ideals of decency while simultaneously perpetuating gender inequalities in his personal life. Funder explains that the patriarchal structure allows men to maintain their self-image as decent individuals while benefiting from women's unrecognized labor and sacrifice. This contradiction illustrates the pervasive nature of systemic oppression against women, as it continues to be perpetuated through cultural narratives.
The Challenges of Writing and Recognition
Funder shares her experience of spending seven years writing 'Wifedom', emphasizing the challenges of intertwining factual historical accounts with personal narrative voices. She aimed to create a comprehensive understanding of Eileen’s contributions while exposing the patterns of erasure through literary techniques. The process involved meticulous research, including analyzing biographical accounts and Eileen's personal letters. Funder's journey underscores the importance of claiming individual narratives and addressing the complexities of identity in historical storytelling.
Anna Funder (international bestselling author of Wifedom) pens books about power. She is the author of the international bestsellers Stasiland, about the Stasi, which is being made into a TV series starring Elizabeth Debicki, and All That I Am, about the Nazis, which won the Miles Franklin Award. Her latest book, Wifedom: Mrs Orwell’s Invisible Life, sees Anna take on the patriarchy. She exposes how literary giant George Orwell wrote his wife Eileen O’Shaughnessy “out of existence”, despite (and possibly because of) her pivotal role in his work.
Anna and I talk through Orwell’s misogyny and his own “doublethink” (believing two contradictory ideas while blanking out awareness of the contradiction), plus how doublethink works to keep patriarchy going. We dig into the delicate issue of the cancellation of these kinds of figures (we both agree they shouldn’t be), the passive voice technique, why women must “claim their pronouns”, the power structure difference between France and Australia and how women write books.