CL Clark, a talented writer recognized for their insight on crafting vivid characters, shares their expertise on building distinct POV characters in short stories. They discuss the importance of plot processing and defining stakes in storytelling. Clark highlights techniques to create depth through character flaws and motivations, and elaborates on the impact of perspective in enriching narratives. Additionally, they present engaging writing exercises focused on power dynamics to refine storytelling skills.
Creating distinct characters in short stories requires a focus on their desires and stakes to enrich the narrative.
Utilizing different points of view can manipulate emotional distance and heighten tension, enhancing the reader's engagement with characters.
Deep dives
Character Development in Short Stories
Creating well-defined characters is essential in short stories, particularly due to their limited word count. Writers should focus on the character’s desires and the stakes involved, as this specificity enriches the narrative and makes characters distinct from one another. For example, C.L. Clark’s approach involves triaging characters at the story's outset, determining who to focus on based on their motivations and conflicts. This method not only clarifies the primary character’s journey but also enhances the overall depth of the story.
The Interplay of Relationships and Stakes
In storytelling, particularly in short fiction, the relationships between characters can serve as a critical driver of the narrative. Clark emphasizes that understanding the stakes—both internal and external—that characters face in relation to one another significantly shapes their arcs. The dynamics between characters can complicate their aims, creating compelling tension as they navigate their goals in the context of their relationships. This interplay of desires and conflicts adds layers to the narrative, making it not just about individual achievements but about how these characters influence one another.
Point of View Choices and Structural Impact
The decision regarding point of view can dramatically affect the storytelling experience, as illustrated by Clark's use of different perspectives in her work. By employing first-person narration for one character and third-person for another, the emotional distance is manipulated to highlight distinct character traits and moods. This structural choice helps the reader engage with both characters while maintaining focus on the protagonist's journey. It also serves to build tension by restricting certain information to only one point of view, which can lead to richer surprises and resolutions in the narrative.
Filling the Negative Space in Stories
Effective storytelling, especially in short fiction, often relies on the art of leaving negative space, where crucial elements are not explicitly detailed but suggested. This technique allows readers to engage actively with the story by filling in gaps with their imagination, which can lead to a deeper connection with the characters. Clark explains that knowing what to leave out, while maintaining the essence of the story, is key to creating impactful narratives. This creative choice not only streamlines the plot but also invites the audience to draw meaning from what remains unsaid, enhancing their overall experience.
We sat down with CL Clark to talk about character—specifically, how they build different POV characters in the compressed space of a short story. We dive into plot processing (a tool CL Clark has learned from Mary Robinette!), how to specify the stakes of your world, and how to build distinct characters.
Homework: “4 Scenes About Power” — Write four scenes: (1) a scene in which your protagonist does something to someone else, (2) a scene in which someone does something for someone else, (3) a scene in which your protagonist has something done to them, and (4) a scene in which your protagonist does something with someone else.
Next up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers!
Credits: Your hosts for this episode were Mary Robinette Kowal and Erin Roberts. Our guest was CL Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.