Explore the fascinating world of McKinney's Cotton Pickers and their vibrant jazz legacy, led by the innovative Don Redman. Dive into early Fats Waller creations that shaped the jazz scene and discover poignant themes of love and loss expressed through music. Experience the lively evolution of jazz as the orchestra transitions into new sounds while celebrating the bustling social life of 1930s New York City. With humor and emotional depth, the conversations highlight the enduring power of jazz to connect and uplift.
Don Redman's exceptional arranging skills and musical direction transformed McKinney's Cotton Pickers into a prominent dance band during the late 1920s.
The podcast highlights how Don Redman's departure led to the establishment of his own orchestra, showcasing his innovative approach to jazz and arrangement.
Deep dives
Don Redman's Influence on McKinney's Cotton Pickers
Don Redman played a pivotal role in transforming McKinney's Cotton Pickers into a prominent dance band during the late 1920s. He was engaged as the musical director in 1927 and contributed his exceptional arranging skills, which greatly enhanced the band’s sound. Under his direction, the group incorporated several notable Harlem musicians, enriching their recordings and performances with distinct styles and talents. Collaborating closely with fellow arranger John Nesbitt, the band became known for intricate arrangements that required precision, showcasing their remarkable musicianship in the competitive jazz scene of the time.
Recording Highlights from 1930
The podcast highlights a series of recordings made by McKinney's Cotton Pickers in 1930, capturing the essence of their vibrant sound. Noteworthy tracks include Fats Waller's 'Honeysuckle Rose' and 'Zonky', featuring vocals by Dave Wilborn and showcasing the strong rhythmic foundation established by the ensemble. Redman's arrangements were characterized by their intricacy and creativity, which often blurred the lines of individual contributions, making it challenging to attribute specific solos. Other performances from their July sessions emphasized the band’s versatility, demonstrating their ability to deliver lively dance music infused with jazz elements.
Transition to Don Redmond's Own Orchestra
After leaving McKinney's Cotton Pickers in 1931, Don Redmond established his own orchestra, marking a new chapter in his musical journey. The new ensemble, which debuted at Connie's Inn, quickly gained recognition, highlighting Redmond's distinct flair for arrangements and performance. They produced several memorable recordings, including 'Trouble Why Pick On Me' and 'Shakin' the Afrikan', illustrating Redmond's innovative approach to jazz. This transition not only showcased his leadership abilities but also demonstrated his commitment to evolving the jazz genre through fresh compositions and a dynamic band setup.
The last sessions by McKinney (led by alto player and arranger Don Redman) leading into his own orchestra - great early swing featuring Ed Inge and Benny Carter on clarinet, Sidney Deparis, Red Allen and Joe Smith on trumpet, Ed Cuffee and Benny Morton on trombones, Prince Robinson and Bob Carroll on tenor sax, Horace Henderson, Todd Rhodes and James P. Johnson on piano, Manzie Johnson and Cuba Austin on drums