Guarding (and curating) the art đđ»ââïž Dereck Mangus and Jess Bither, Baltimore Museum of Art
Aug 22, 2023
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Dereck Mangus, a security guard at Baltimore Museum of Art, and Jess Bither share their experiences curating a unique exhibit called "Guarding the Art." They discuss their personal connection to art, the challenges they face on the job, and the power of art to connect people. They also explore the impact of physicality in paintings and the importance of contextual knowledge in enhancing emotional responses to art. The podcast ends with their recommendations for books, films, and experiences that have brought joy to their lives.
Curating Guarding the Art involved a democratic collaboration among 17 guards, resulting in a unique, subjective, and idiosyncratic exhibition that defied conventions of traditional curation.
Being part of Guarding the Art confirmed the guards' deep passion for art and provided valuable insights into the importance of relinquishing control, embracing flexibility, and creating art experiences that challenge and inspire visitors.
Deep dives
Guarding the Art Exhibit: Empowering Museum Guards as Curators
The Baltimore Museum of Art gave 17 of their guards the opportunity to curate an exhibit called Guarding the Art. By turning over the curation to the guards, the exhibit showcased their individual tastes and the arts that spoke to them. This unique approach allowed the guards, who usually remain in the background, to step into the spotlight and take on a role seldom asked of them. The exhibit received significant media attention, leading to an overwhelming response from the public. The guards reflected on their experience, expressing their pride, excitement, and nervousness on opening night as they walked through the show they curated. The media attention brought additional opportunities for interviews and engagement. The guards' approach to their job as curators changed their perspectives on guarding the art, making them more attentive to the details of exhibitions, influencing visitor interactions, and encouraging deeper connections with the artwork.
The Process of Curating: Collaboration and Flexibility
Curating Guarding the Art involved a democratic collaboration among 17 guards and guidance from guest curator Dr. Laurie Stokesims. The process was marked by open discussions, respecting each other's perspectives, and making collective decisions. Relinquishing control and embracing flexibility emerged as valuable lessons during the curatorial process. Despite some limitations on artwork selection, the exhibit encompassed a wide range of mediums, from paintings to sculptures, featuring both renowned artists and underdogs. The desire for a slightly messier and more expressionistic final product was expressed, creating a unique, subjective, and idiosyncratic exhibition that defied conventions of traditional curation.
Impact and Inspiration: Connecting with Visitors and the Power of Art
Guarding the Art created opportunities for guards to connect with visitors on a deeper level. Heartwarming interactions and stories emerged as visitors found personal connections and interpretations of the curated artwork. The guards' approach to art was influenced by their own inspirations, such as Rachel Cusk's writing, the films of Jonas Mekas, and singer-songwriter David Berman's work. The experience of being in front of physical artwork and the vulnerability it brings, along with the endless inspiration found within an art museum, were significant factors that influenced the guards' approach to their job as curators.
Reflections and Future Possibilities: Lessons from Guarding the Art
Being part of Guarding the Art not only confirmed the guards' deep passion for art and their colleagues but also provided valuable insights into the art of curation. The exhibition showcased the importance of relinquishing control, embracing flexibility, and creating art experiences that challenge and inspire visitors. While appreciating the significance of the present exhibition, the guards also express curiosity about future possibilities and how institutions can embrace disruption and push the boundaries of traditional curation. Overall, the experience of curating Guarding the Art left a lasting impact on the guards, shaping their perception of art and their roles as museum guards.
âIt's not like you press a button and you get to see art. You have to go there to know thereâŠYou have to be in front of it, obviously, and then you have to have a relationship with it. You have to see it again and again. And sometimes it takes years.â â Dereck Mangus, Baltimore Museum of Art
In 2022, the Baltimore Museum of Art (BMA) turned over the curation of one of its exhibits to 17 security guards on staff. Called âGuarding the Art,â the show was a wide-ranging display of individualsâ tastes and the art that spoke to them. It was a radical idea that generated media attention and inspired other shows like it.
And why not? Museum guards spend hours and hours with the artifacts they watch over, so of course theyâre going to have opinions about such things. It was thrilling to get to know two of those guards, Dereck Mangus and Jess Bither, and learn about their deep appreciation for art and how they approached curating the BMA show.
Highlights, inspiration and key learnings from the conversation:
The life of a museum security guard
Which pieces they picked for âGuarding the Artâ and why
How to curate a group show with other 15 other people
How participating in âGuarding the Artâ changed them
What they learned about the art of curation from this experience
đ Say "hi" to Dereck and Jess. đ Browse the companion Storyboard to get the episode, plus Dereckâs and Jessâs own favorite culture picks. â This podcast was created by Flipboard, the worldâs first social magazine, where enthusiasts are curating stories they recommend across thousands of interests. Learn more.
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