It’s mid-October, and by our calculations, musicians are STILL not getting paid. Live music has been off since March, and a major lobbying group is trying to #SaveOurStages. But does saving venues also mean a bailout for musicians? In the continued quest for artist revenue, Saxon and Sam explore some less obvious options. Could the platform OnlyFans hold the answer? Should musicians search for salvation in the high-end speaker-system/concert series Oda? Or are we all looking in the wrong places entirely?