Celebrating 100 Years: Jia Tolentino and Roz Chast Pick Favorites from the Archive
Feb 18, 2025
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Join Roz Chast, a beloved cartoonist known for her humorous observations of everyday life, and writer Jia Tolentino as they celebrate a century of The New Yorker. Tolentino revisits Joan Didion’s essay on Martha Stewart, exploring themes of female power, perfectionism, and societal expectations. Chast highlights George Booth’s unique cartoons, capturing the delightful chaos of daily routines. Together, they reflect on how these works continue to resonate in contemporary culture, blending nostalgia with insightful commentary.
Jia Tolentino highlights Joan Didion's essay on Martha Stewart as a profound exploration of female power and societal expectations.
Roz Chast celebrates George Booth's cartoons, emphasizing their enduring impact on The New Yorker’s cultural legacy over its century-long history.
Deep dives
Celebrating a Century of The New Yorker
The centennial anniversary of The New Yorker magazine is a significant milestone, marked by a series of reflections on its rich history. The debut issue, dated February 21, 1925, serves as a reminder of the publication's enduring influence in American journalism and literature. Throughout the year, various esteemed writers will be revisiting notable pieces from the magazine's archives, celebrating its legacy while highlighting the significance of its contributions to cultural discourse. This initiative not only honors the publication's past but also fosters a deeper appreciation for the ongoing conversations it inspires in the present.
Joan Didion's Mastery and Martha Stewart
Joan Didion's essay on Martha Stewart embodies a profound exploration of female power and public perception, examining how Stewart transcends traditional notions of domesticity. The piece draws attention to Stewart's complex persona—one that merges perfectionism with personal sacrifice, allowing her to dominate the feminine space in a historically male-dominated world. Didion captures the paradox of Stewart's image, juxtaposing her flawless presentation with an underlying narrative of control and ambition. This analysis reveals the intricate layers of success and the societal pressures faced by women striving for recognition in their fields.
The Complexity of Perfectionism
The dialogue highlights the theme of image versus reality, particularly in relation to the societal expectations placed on women like Martha Stewart and Joan Didion. Both figures are portrayed as perfectionists who navigate the pressures of public scrutiny while maintaining a polished facade, reflecting the challenges of their respective careers. This discussion brings forth the idea that perfection often comes at a significant personal cost, with critics viewing such women through a lens of skepticism and envy. Ultimately, the conversation underscores the notion that achieving success—especially as a woman—often involves untold sacrifices and unrecognized struggles.
Staff writers and contributors are celebrating The New Yorker’s centennial by revisiting notable works from the magazine’s archive, in a series called Takes. The writer Jia Tolentino and the cartoonist Roz Chast join the Radio Hour to present their selections. Tolentino discusses an essay by a genius observer of American life, the late Joan Didion, about Martha Stewart. Didion’s profile, “everywoman.com,” was published in 2000, and Tolentino finds in it a defense of perfectionism and a certain kind of ruthlessness: she suggests that “most of the lines Didion writes about Stewart, it’s hard not to hear the echoes of people saying that about her.” Chast chose to focus on cartoons by George Booth, who contributed to The New Yorker for at least half of the magazine’s life.
You can read Roz Chast on George Booth, Jia Tolentino on Joan Didion, and many more essays from the Takes series here.
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