The ubiquity of cameras in our phones and our environment, coupled with massive social media networks that can share images and video in an instant, means we see often graphic and disturbing images with great frequency. How are people processing such material? And how is it different for people working in newsrooms, social media companies, and human rights and social justice organizations? What protections might be put in place to protect people from vicarious trauma and other harms, and what is the ultimate benefit of doing this work?
In their new book, Graphic: Trauma and Meaning in Our Online Lives, University of California Berkeley scholars Alexa Koenig and Andrea Lampros set out to answer those questions.
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