We know that the history of theatre and performance contains plenty of insensitive, even offensive, tropes and stereotypes. We also tend to think of ourselves as having left those stereotypes in the past, where they belong. However, as this week’s guest reveals, our popular culture still contains plenty of uncomfortable reminders of those types, and they’re often woven into the fabric of beloved cultural institutions in a way that forces us to come to terms with them, rather than simply pretend that they have nothing to do with us.

Dr. Christian DuComb, author of Haunted City: Three Centuries of Racial Impersonation in Philadelphia, joins us to talk about how these complicated issues appear in the figure of the “mummers wench,” a fixture of Philadelphia’s Mummers Parade for decades. The “wench” hearkens back to the nineteenth century and the days of the minstrel show, serving as yet another reminder that what we think is long-past is often very much still present.