Kimberly had never read Besson--and didn't know Ringwald was translating!--but she loved this brief, beautiful novel. Listen in as she touches on the very un-american phenomenon of autofiction, before diving into the fascinating structural choices, the beauty of the spare prose and why Besson is SO GOOD AT SEX WRITING. She'll even offer up interesting translation differences and the novel's details that Ringwald (mostly judiciously) chose to leave out.