How did African American theatre and the struggle for civil rights intersect? For many critics in the 1950s and ’60s, they didn’t, at least not in a meaningful way. But, as Dr. Julie Burrell points out in a recent essay for Black Perspectives, the blog of the African American Intellectual History Society, some of the works produced in the 1940s and ’50s are far more radical than we might expect. She explores the story of William Branch’s A Medal for Willie, a 1951 one-act that impressed Lorraine Hansberry and demonstrated the subversive potential for Black theatre before the 1960s.