Japanese author Jun'ichirō Tanizaki's 1910 literary debut, 'The Victim' is explored in this podcast episode. The story delves into the art of tattooing and follows the life of a renowned painter turned tattoo artist. It explores the infatuation of a man with a mysterious woman in a palanquin and a confrontation of paintings that reveal a girl's true nature and future.
Tattooing in Japan was a form of art that transcended social class and allowed individuals to express their beauty and power.
Seikichi's obsession with tattooing a beautiful girl reveals his desire to possess and control her, ultimately leading to her empowerment and manipulation of men.
Deep dives
The art of tattooing and its significance in Japanese society
The podcast explores the art of tattooing in Japan during a time when physical beauty was highly valued. The story follows the life of Seikichi, a renowned tattoo artist, who takes pride in his work and derives pleasure from his clients' pain. Tattooing was not limited to a specific social class, as people from different backgrounds, including courtesans and samurai, sought the tattooers' art. Seikichi harbors a deep desire to tattoo the lustrous skin of a beautiful girl, searching for someone who meets his specific physical and character requirements.
Seikichi's encounter with a young girl and his obsession with tattooing her
Seikichi's long-held ambition is fulfilled when he encounters a young girl who possesses the physical beauty he has been seeking. Instantly captivated by her foot, he becomes obsessed with tattooing her and believes that through his art, he can pour his soul into her body. Despite the girl's initial reluctance, she eventually succumbs to Seikichi's persuasion and allows him to tattoo an enormous spider on her back, a symbol of her power and the men who will be victimized by her beauty.
The transformation of the girl and the consequences of her tattoo
After enduring the painful tattooing process, the girl emerges from her slumber with a newfound confidence and a cold glint in her eyes. She is no longer fearful and embraces her role as a seductive woman who can manipulate men. Seikichi, filled with a sense of triumph, presents her with the tattoo and paintings. The story ends with the implication that the girl will use her newfound power to conquer men, as both the Chinese princess and the woman surrounded by dead bodies embody her essence.
The legendary actor George Takei reads one of the oldest stories in the Review’s archive. Published by the magazine in 1957, “The Victim” is Ivan Morris’s English translation of the Japanese author Jun'ichirō Tanizaki’s 1910 literary debut.
This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.