#976: Twisters, The Films of Powell and Pressburger
Jul 26, 2024
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Lee Isaac Chung, director of 'Minari', and the legendary filmmaker Martin Scorsese share their insights on contemporary cinema and classic films. The discussion dives into Chung's take on 'Twisters', exploring character depth and emotional connections with climate themes. Scorsese celebrates the cinematic legacy of Powell and Pressburger through a new documentary, highlighting their innovative storytelling and visual artistry. Listeners are also treated to insights on upcoming films and cinematic nostalgia.
The podcast critiques 'Twisters', highlighting its focus on character-driven narratives rather than traditional romantic tropes amidst storm chasing excitement.
Martin Scorsese's insights on Powell and Pressburger in 'Made in England' underscore their lasting impact on cinematic storytelling and emotional depth.
The innovative filmmaking techniques of Powell and Pressburger, like match cuts, serve to explore complex themes of progress and morality in their narratives.
Deep dives
Analyzing 'Twisters' and Its Roots
'Twisters', a standalone sequel to the 1996 blockbuster 'Twister', reintroduces audiences to the excitement of storm chasing. The film features Daisy Edgar-Jones as Kate, a weather-obsessed PhD student, navigating personal loss and academic challenges while confronting unprecedented storm activity in her home state of Oklahoma. Alongside Glenn Powell's character Tyler, a charismatic storm-chasing YouTube star, they embark on a journey filled with both dangerous weather phenomena and personal revelations. This sequel not only follows the legacy of its predecessor but also aims to explore deeper emotional connections and scientific approaches to understanding tornadoes.
Cultural Commentary on Character Dynamics
The podcast discusses the cultural implications of the lack of romantic tension between the film’s leads, specifically focusing on the absence of a pivotal kiss moment that stirred social media reactions. Spielberg's involvement and the statement 'no kissing' heightens the absurdity of the conversation surrounding the film. This commentary on relationship dynamics highlights how modern audiences are attuned to the details that define character interactions and their developmental arcs. Rather than simply following traditional romantic tropes, the film attempts to present a more nuanced exploration of interpersonal relationships amidst high-stakes situations.
Exploring the Powell and Pressburger Documentary
The documentary 'Made in England' delves into the illustrious career of the filmmaking duo Michael Powell and Emeric Pressburger, illuminating their innovative storytelling and cinematic techniques. Directed by David Hinton, the film predominantly features insights from Martin Scorsese, who reflects on the impact these filmmakers had on his own work. Their most iconic films, including 'The Red Shoes' and 'Black Narcissus', are spotlighted for their artistic mastery, heightened emotional narratives, and the interplay of fantasy and reality in cinema. The film draws connections to how Powell and Pressburger’s creative approach continues to resonate within contemporary filmmaking.
Critical Examination of Filmmaking Techniques
The podcast emphasizes the groundbreaking techniques utilized by Powell and Pressburger, such as innovative match cuts that transport audiences between vastly different settings and time periods. One example highlighted is a pivotal match cut in 'A Canterbury Tale', leading from a serene natural landscape to a mechanized modern world. This juxtaposition aids in conveying the film's thematic exploration of progress versus tradition. Additionally, the conversation underscores how their films, while often whimsical or romantic, engage with weighty social issues, encouraging deeper reflections on humanity and culture.
The Overarching Theme of Progressivism
Listeners are reminded of the overarching theme of progressivism threaded throughout Powell and Pressburger's filmography. Notably, their ability to engage with significant social issues, such as war, personal relationships, and identity, often positions their characters in complex moral dilemmas. This exploration of characters dealing with their realities, such as in films like 'A Matter of Life and Death', resonates with the contemporary audience still grappling with similar issues today. The podcast posits that their films challenge audiences to reflect on perseverance, compassion, and the importance of understanding one’s history while moving towards the future.
Future Plans and Audience Engagement
The podcast concludes with hints at upcoming film marathons and future discussions, particularly about Sydney Lumet in honor of his centennial. The hosts express excitement about exploring Lumet's work and what viewers can glean from his storytelling style. Additionally, they invite listeners to share their thoughts on recent films, like 'Deadpool and Wolverine', and how these narratives engage with modern cinematic trends. This engagement encourages listener participation and feedback, emphasizing the importance of community discourse in shaping the future of film discussions.
Does director Lee Isaac Chung (“Minari”) put his stamp on”Twisters”? Adam and Josh debate. Plus, Martin Scorsese celebrates The Archers in the new doc “Made in England: The Films of Powell and Pressburger.”
(Timecodes will not be precise with ads; chapters may start early.)
Opening (00:00:00-00:02:02)
Review: “Twisters” (00:02:03-00:38:39)
Next Week, Notes (00:38:40-00:47:03)
Massacre Theatre (00:47:04-00:52:41)
The Films of Powell and Pressburger (00:52:42-01:23:41)
Notes/Links:
-“Made in England: The Filmspotting of Powell and Pressburger”
