This week we’re excited to present a panel of critics and programmers to discuss the significance of the late French film critic Serge Daney (1944–1992)'s thought today, with a particular emphasis on how his politically driven analysis and radical enthusiasms of the 1970s might speak to our contemporary moment. Film at Lincoln Center was proud to recently present Never Look Away: Serge Daney’s Radical 1970s, a series that celebrated French film critic Serge Daney and the films he championed in his book La Rampe, occasioned by its long-awaited English translation under the title Footlights. Complementing this program was a panel that featured The New Yorker’s Richard Brody, translator of Footlights and series co-programmer Nicholas Elliott, and moderator FLC Assistant Programmer Madeline Whittle. This discussion considered the relation between mise-en-scène and moral perspective, the cinema as an antidote to advertising, and the critic’s role as an ally to filmmakers. Never Look Away: Serge Daney’s Radical 1970 was sponsored by MUBI.