PhD students Jemma Saunders and Cormac Donnelly join Emily and Will to discuss videographic PhDs, including their motivations, evaluation by universities, and tips for interested individuals. They delve into the creative process, the influence of Rob Stone's video essays, placing students in industry and academia, the evolution of pitches and thesis titles, the resistance and acceptance of videographic PhDs, and an upcoming creative practice colloquium.
Challenging established notions of video essays is important in videographic PhD research.
The role of sound in video essays and the exploration of new discoveries through the videographic form are key considerations in videographic PhD projects.
Building a strong working relationship with supervisors is crucial for a successful videographic PhD journey.
Deep dives
Exploring New Directions in Video Essay Practice
In this podcast episode, Cormac Donnelly and Gemma Saunders discuss their experiences as PhD students working with video essays and pursuing videographic practice research. They highlight the importance of questioning and challenging established notions of what a video essay is. The conversation covers topics such as the role of sound in video essays, the relationship between writing and the video essay, and the exploration of new discoveries through the videographic form. The episode also touches on the process of figuring out what a video graphic PhD looks like and how it can be pursued at different universities.
Gemma's Project: Exploring Birmingham's Aesthetic Identity on Screen
Gemma Saunders shares her academic journey and discusses her PhD project on exploring the aesthetic identity of Birmingham in film and television. She aims to critically analyze and repurpose existing texts that are set and filmed in Birmingham, aiming to understand when the city is portrayed and how it is represented. Gemma's project has evolved over time, gravitating more towards televisual depictions of the city. She is particularly interested in studying the relationship between architecture, roads, canals, and Birmingham's presence on screen.
Cormac's Project: Understanding the Role of Video in Sound-Led Videographic Criticism
Cormac Donnelly shares his journey from an industry background to pursuing a PhD in sound design and videographic criticism. His project focuses on the video essay as a form and explores the question of what the video element adds when examining sound. Cormac discusses how his project has evolved to emphasize the role of the video in conveying sound-related concepts. He also highlights his interest in the making of video essays and how the combination of video and writing provides a unique perspective and insight into scholarly exploration.
Importance of Community Support and Engagement
One key aspect of pursuing a videographic PhD is the supportive and enthusiastic community that exists around it. Engaging with this community, such as through podcasts and online platforms, can provide valuable guidance and inspiration. The community is generous with their time and expertise, making it an excellent resource for budding videographic PhD researchers.
Choosing the Right Supervisors
When embarking on a videographic PhD, it is crucial to carefully choose supervisors who can provide support and guidance aligned with your research interests and methodology. The ideal supervisory team may consist of individuals who have a practical understanding of practice-based work and others who can offer expertise in areas such as content and methodology. Building a strong working relationship with your supervisors is vital for a successful videographic PhD journey.
What is it like to study for a videographic PhD? On today's show, Emily and Will are joined by Jemma Saunders and Cormac Donnelly, who are pursuing PhDs at the University of Birmingham and the University of Glasgow, respectively. We talk about what prompted them to pursue videographic PhDs, how their universities evaluate and think about such work, and provide tips for those who may be interested in pursuing a PhD.
Will DiGravio hosted, produced and edited this episode. Emily Su Bin Ko is the show's associate producer. Music by Ketsa: "Live It," "Anvil," and "Refraining."
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