In front of an audience at the Virginia Film Festival, and a piano, one of the leading film composers of his generation reflects on how he was shaped by both classical and hip-hop music, how his best known scores for TV (the main title theme for 'Succession') and film (Barry Jenkins' 'Moonlight' and 'If Beale Street Could Talk') came to be, and how his score for Noah Baumbach's new film was composed and employed differently than any of his others.
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