452 - How Can Dance Be a Form of Resistance And Reflection? Dam Van Huynh

Dam Van Huynh graduated from the renown Boston Conservatory at Berklee (USA) and has worked as a performer with various internationally recognized premiere dance companies and choreographers including The Nevada Ballet (USA), Merce Cunningham (USA), Portugal’s Companhia de Dança Contemporânea – CeDeCe (Portugal), Richard Alston (UK) and Phoenix Dance Theatre (UK). He regularly creates works for other companies and delivers workshops on his methodology around the world. He has been noted as one of the most cutting-edge international artists currently working in the field of Contemporary Dance. He is in high demand for his creative contribution to the dance industry and this can be noted as he has been invited to the highly selective and elite Rauschenberg Residency (USA) in 2025.

 Originally from Southern Vietnam, Dam Van Huynh is a UK based dancer/choreographer/director. As a child refugee, his family and he fled Vietnam after the war and settled in the USA where Dam was raised. He was Head of Contemporary Dance at The Hong Kong Academy for Performing Arts from 2019 - 2023. Dam founded his own company in 2008, Van Huynh Company – a vibrant, cutting-edge contemporary dance company with a growing national and international reputation. He is the Director of Centre151 - a cultural, arts and community space based in London (Hackney). From the very beginning, his work was distinctive and reflected his deep interest in redefining the body and its movement capability.

His research is an ongoing attempt to synthesize the most dynamic and revolutionary aspects of the dual dynamic of his Vietnamese heritage and Western influences harmoniously informing a personal and creative expression. The dynamics of the moving body is central to his practice. His working methodology combines multitudes of performative practices, drawing inspiration from voice, sound art and performance art allowing him to ask pertinent questions on what it means to be human.

At the core of his practice, he reflects upon his lived experience from a child refugee of the Vietnam war to the artist he has become today. His work adopts a critical stand on current issues, examining the body through movement exploration and weaving the research tightly with an aural experience drawn from sound art. Themes that pertain to his work are based on his interest in human connections: intimacy, otherness, sense of self, interpersonal relationships. The research stands out for its physical rigour, socially engaged awareness and connection to visual arts whilst drawing the audience into an immersive experience.

Website: www.damvanhuynh.com

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