In Henri Bergson’s bestselling 1907 book Creative Evolution (Évolution créatrice in French), Bergson attempts to make his theory of duration speak to evolutionary science. Charles Darwin’s theory of evolution would seem to be diametrically opposed to what we have heard of Bergson to date. Evolution has space and environment emphasised over time, we see deep, long, quantified time emphasised over duration, and we see emphasis on external material determinants rather than inner purposiveness. Bergson though thinks that this basic Darwinian picture is somewhat lacking and needs to be supplemented with a philosophical theory. And that is what Creative Evolution is, it is a philosophical theory which makes material evolution intelligible. Creative Evolution itself then – and these are the themes I turn to in this lecture – offers a fortified theory of evolution, where what Bergson calls finalist and teleological forms of life are consolidated with a Bergson’s own theory of futural direction. As well, Bergson suggests evolution requires a theory of the unconditioned (free) emergence of organisms. And finally, Bergson wants to challenge our picture of evolutionary development. We typically take the development and change of matter to be ordered, quantitative and measured over time. Bergson thinks in doing so, we conceal the necessity of disorder and contingency for the emergence of life. Bergson’s idea is that, free, and unpredictable creativity is a necessary condition of evolutionary change. So, to be clear, Bergson on this own terms, is not repudiating evolutionary change he is perfecting it.
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