Fly on the Wall with Dana Carvey and David Spade

RE-RELEASE - Danny DeVito

Jul 9, 2025
Join Danny DeVito, the beloved actor and filmmaker known for classics like Taxi and Twins, as he shares entertaining tales from his illustrious career. The discussion celebrates the enduring charm of Always Sunny in Philadelphia, highlighting DeVito's hilarious contributions. Delve into nostalgic stories from the vibrant 1960s film scene and the chaos of hosting SNL, peppered with amusing behind-the-scenes anecdotes. DeVito reflects on missed acting opportunities and the importance of camaraderie in Hollywood, making for a delightful and laughter-filled conversation.
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INSIGHT

Danny DeVito's Rise from $50 Rent in 60s New York to Hollywood Icon

Danny DeVito shares vivid memories of starting his acting career with a $50-a-month apartment on Madison Avenue in the 1960s, describing the gritty New York atmosphere and how the city's landscape has changed since.

He recounts the struggles of early auditions, mentioning how non-Equity actors, like himself, had to wait until the very end for audition opportunities and how luck played a role in landing his first parts, such as in the play 'Shoot Anything With Hair That Moves.'

DeVito recalls his journey through Off-Broadway plays, regional theater, and eventually his breakout with "One Flew Over the Cuckoo's Nest," highlighting the importance of perseverance and the unpredictable nature of show business.

He also talks about his friendships with Jack Nicholson and Michael Douglas, emphasizing the camaraderie and mutual support that helped their careers flourish.

This insight gives a concrete look into the raw beginnings of a Hollywood career combined with the realities and grit behind the glamour.

ANECDOTE

Danny's 1960s NYC Apartment

  • Danny DeVito describes living in a shabby New York apartment in the 60s for $50 a month.
  • The apartment offered a view of building rooftops, resembling a movie set backdrop.
ANECDOTE

Danny's Early Audition Story

  • Danny shares the early audition process including waiting for non-equity actors at the end.
  • He got his first off-Broadway part after poking his head into a casting call and being immediately recognized by a veteran actor.
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