Why We Bleep

WHY WE BLEEP 003: TALKING LIVE MODULAR WITH EBCIDIC (FORMERLY VCOADSR)

Mar 31, 2018
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Episode notes
1
Introduction
00:00 • 3min
2
Iceland, the Most Death Metal of Beeches, That I Have Ever Seen
03:14 • 4min
3
How to Make Music With Your Modula
07:35 • 2min
4
Phil, How Are You Doing This?
09:08 • 2min
5
The Value of Live Music
10:48 • 3min
6
Are You a Professional or a Hobbyist?
13:41 • 2min
7
Is There a Limiter?
15:32 • 2min
8
Do You Know How to Compete?
17:15 • 3min
9
Does It Matter?
20:07 • 3min
10
Is There a Guitar Over in the Corner?
23:05 • 2min
11
The Red Ones With the Elfs
24:58 • 2min
12
How Did You Get Your First Record?
27:23 • 2min
13
The Modula System
29:03 • 2min
14
I've Got a Moog, I'm a Doctor, I Love Lego.
30:36 • 2min
15
Is the Modula Adaptable to Certain Styles of Music?
32:58 • 2min
16
The Tail Wagging the Dog?
34:47 • 2min
17
The Limitation of Electronics, You Know?
36:25 • 2min
18
A Note Po Is Not for This I Expect.
38:18 • 2min
19
I'm Gonna Do a Modula Tano Er, and I'll Do It.
39:53 • 2min
20
Thethars, I'm Sending Yoa Really Hot Signal
41:50 • 2min
21
How to Make Coherent Music With a System?
44:14 • 2min
22
You Can't Surf Unless You Catch a Wav
45:57 • 2min
23
Is It a Satofe?
48:05 • 2min
24
Doing Tick Drops With a Montela Ge Need Like Way
50:05 • 2min
25
Is There a C v Out and a Gate?
51:59 • 4min
26
Is It Possible to Add Random Functions to the Sequences in a Sequence?
55:54 • 2min
27
'Tis D J Kicks Mixedid, Itis Dj Kicks, It's Just Brilliant
57:59 • 2min
28
The Smalles Score
01:00:03 • 2min
29
Urac Is a Vocative Sounding Instrument.
01:01:42 • 2min
30
Using the Open and Closed High Hats on L Eight O Eight
01:03:37 • 2min
31
YO, It's That Thing of the Audience
01:05:50 • 5min
32
I've Been Using Modulas for a Long Time, and I'm Using Them Now
01:10:29 • 2min
33
Do You Want to Play Live?
01:12:32 • 2min
34
The Digital Atinsecton Wa - Is That Really What I Want?
01:14:47 • 2min
35
Having 30 Years of Experienced Djing Clubs, Is a Good Thing?
01:16:42 • 4min