Episode 64 bonus: Alison Luterman on coaxing the form to emerge and skies before screens.

“You wouldn’t yell at a preemie baby,” says poet, lyricist, playwright and teacher Alison Luterman. In this bonus episode, we talk about Alison’s “coaxing” approach for her new work, about patience, self-compassion, starting the morning without screens, the benefits and detriments of having many projects at once, and, of course, the importance of coffee. 

Alison Luterman's four books of poetry are The Largest Possible Life; See How We Almost Fly; Desire Zoo, and In the Time of Great Fires. Her poems and stories have appeared in The New York Times Sunday Magazine, The Sun, Rattle, Nimrod, Salon, Prairie Schooner, The Brooklyn Review, The Atlanta Review, Tattoo Highway, and in numerous other journals and anthologies. She has written an e-book of personal essays (Feral City, originally published through SheWrites.com, now available through audible.com), half a dozen plays including a musical The Chain about a chain of kidney transplant donors and recipients), lyrics for a song cycle We Are Not Afraid of the Dark, and is currently working on two different musical theater projects as well as new poems and a longer version of her recently-published essay about learning to sing as an, ahem!, older adult.

Previous episodes with Alison: Creative Practice as Political Action and A poem and a song from Alison Luterman

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