The book tells the story of Jonathan Livingston Seagull, a seagull who is different from the others in his flock. While most seagulls focus on eating and survival, Jonathan is passionate about flying and constantly challenges himself to improve his flight skills. His nonconformity leads to his banishment from the flock, but he continues to pursue his dreams, eventually finding other like-minded seagulls and learning valuable lessons about love, kindness, and transcendence. The story is an allegory about seeking a higher purpose in life and not compromising one's vision, even in the face of societal pressure[2][4][5].
Published in 1667, 'Paradise Lost' is an epic poem in blank verse that follows the biblical story of the Fall of Man. The poem begins in medias res, detailing the descent of Satan and his followers into Hell after their rebellion against God. It explores two main narrative arcs: one focusing on Satan's actions and the other on Adam and Eve's story in the Garden of Eden. The poem delves into themes such as free will, obedience, revenge, and pride, and it portrays the complex characters of Satan, Adam, and Eve. Milton's work is known for its rich language, classical structure, and profound theological and philosophical insights[1][3][5].
Published in 1878, 'Anna Karenina' is a novel by Leo Tolstoy that delves into the complexities of Russian society in the late 19th century. The story centers around the extramarital affair between Anna Karenina, a married socialite, and Count Alexei Kirillovich Vronsky, which scandalizes the social circles of Saint Petersburg. The novel also follows the parallel story of Konstantin Levin, a wealthy landowner, and his struggles with marriage, faith, and managing his estate. Tolstoy explores a wide range of themes including love, loyalty, betrayal, hypocrisy, and the differences between rural and urban life. The novel is known for its detailed character development and its profound commentary on the human condition[2][4][5].
This novel is a retelling of the ancient myth of Cupid and Psyche, narrated by Orual, the ugly and bitter older sister of the beautiful Psyche. Orual's story is a complex exploration of envy, betrayal, loss, and the journey towards self-awareness and redemption. The book delves into Orual's life as she grapples with her love for Psyche, her anger towards the gods, and her eventual realization of her own flaws and the true nature of her feelings. The narrative is divided into two parts, reflecting Orual's transformation from a state of bitterness and self-deception to one of understanding and mercy[2][4][5].
C.S. Lewis's "Experiment in Criticism" is a work of literary theory that explores the nature of literary taste and the process of critical evaluation. Lewis examines various approaches to literary criticism, offering his own insights and perspectives. The book's exploration of subjective and objective elements in literary judgment continues to be relevant in the field of literary studies. Lewis's insightful observations on the nature of art and the role of the critic remain valuable for readers and scholars alike. The book's clear and engaging writing style makes it accessible to a wide audience.
Published in 1847, 'Wuthering Heights' is a novel that tells the story of the tumultuous relationship between Catherine Earnshaw and the foundling Heathcliff, whom her father brings home to Wuthering Heights. The narrative, framed by the visitor Lockwood and the housekeeper Nelly Dean, explores themes of love, revenge, and the cyclical nature of life. Heathcliff's bitter vengeance against those who wronged him drives the plot, which spans generations and delves into the dark, passionate, and often destructive aspects of human nature. The novel is renowned for its dramatic and poetic presentation, its unique structure, and its vivid depiction of the Yorkshire moors as a reflection of the characters' inner lives.
This week’s episode is a continuation of Cindy Rollins and Angelina Stanford’s discussion of An Experiment in Criticism by C. S. Lewis. They start with an exploration of the difference between loving a book and evaluating a book as a work of art, followed by an explanation of Lewis’ idea that works of art do not teach us. Angelina goes in depth about why it is not our job as readers to find the “nugget of truth” in a book. Cindy brings up Lewis’ point about “using” literature as an academic tool, versus “receiving” literature as a work of art.
In covering chapter 9, Angelina and Cindy dig into the dangers of rushing to express an opinion about what we read, rather than getting ourselves out of the way when approaching a book. Cindy points to the many similarities between what Lewis says in these chapters and what Charlotte Mason says about true education.
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To view the full show notes for this episode, please visit https://theliterary.life/267/.
The Literary Life Podcast 
