The History of Literature 724 The Stranger by Albert Camus (#22 Greatest Book of All Time) | Christopher Isherwood (with Jake Poller) | Postcard from a Listener in Yunnan
Aug 11, 2025
Jake Poller, a biographer of Christopher Isherwood and English lecturer, joins to discuss key themes from Albert Camus's 'The Stranger'—especially the existential crises faced by the protagonist, Meursault. They explore Isherwood's life and his experiences in Berlin, highlighting his literary evolution amidst societal upheaval. The conversation touches on the nuances of writing a biography of such a complex figure while connecting personal and political influences in Isherwood's work. Plus, a listener from Yunnan shares insights on 'Madame Bovary'!
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Listener Postcard From Yunnan
- Jacke Wilson reads a postcard-style email from Zemo in Yunnan who discovered the podcast while reading Madame Bovary.
- Zemo says literature makes paths intersect across time and place, a sentiment Jacke echoes.
Debate Over The Stranger's First Line
- Jacke Wilson says translators obsess over The Stranger's opening line and its tone.
- He argues multiple English variants work because Meursault's detachment is shown by context.
Plot And Existential Ambiguity
- Jacke Wilson summarizes Meursault's indifference, his murder of an unnamed Arab, and his trial as the novella's core events.
- He stresses the book's ambiguity invites readers to debate meaning and interpretation.
