Robert Shrimsley, Executive Editor and FT columnist, teams up with Harriet Fitch Little, FT Weekend Magazine's food and drink editor from the Cotswolds, to dive into the indulgent world of 'Rivals.' They tackle the show's depiction of 1980s class dynamics, sex, and the often chaotic relationships among posh country-dwellers. The duo debates the strengths of the adaptation, the cultural significance of Jilly Cooper’s writing, and shares personal anecdotes about media consumption and community-driven clothing swaps.
The podcast discusses how the TV adaptation of 'Rivals' critiques 1980s British class dynamics while showcasing the frivolous lifestyles of the elite.
Critics offer polarized opinions on 'Rivals', recognizing both its engaging characters and humor as well as its perceived lack of depth and substance.
Deep dives
Overview of 'Rivals'
The television adaptation of 'Rivals', based on Jilly Cooper's 1988 romance novel, explores the competitive landscape of a struggling local TV station in 1980s England. The narrative revolves around two central characters: the ambitious TV executive Lord Tony Battingham and the charming yet roguish Rupert Campbell Black. The plot thickens as an Irish journalist is introduced to help boost ratings, while Rupert finds himself romantically entangled with one of Battingham's daughters. Set against a backdrop of opulent social events and scandalous affairs, the series offers a peek into the excesses of 1980s British society.
Critical Reception and Diverging Opinions
Critics have had polarized reactions to 'Rivals', with some praising its production quality and engaging characters, while others find it lacking in substance. One commentator expressed boredom within the first twenty minutes, describing the characters as poorly developed and the sexual encounters as uninspired. In contrast, another reviewer highlighted the show's unexpected depth, appreciating its humor and character complexities that emerged beyond initial impressions. The differing views suggest that the series resonates with some audiences while leaving others dissatisfied.
Cultural Significance and Themes
The adaptation raises intriguing questions about class dynamics within the context of British society and media of the 1980s. While the story focuses on the elite, it subtly critiques the characters' superficial lifestyle and moral ambiguities, reflecting broader themes of power and status. The interplay between new and old money, as well as class aspirations, underscores the social landscape of the time. While the series does include humorous moments, it also serves as a commentary on the emptiness that can accompany wealth and privilege.
Jilly Cooper's Impact and Legacy
Jilly Cooper, known for her so-called 'bonkbusters', has created a unique niche within romance literature that combines humor with eroticism. The show's adaptation and the discussion around it prompt a reevaluation of her work, suggesting that her contributions extend beyond mere entertainment. As the series portrays exaggerated aspects of English society, it also challenges viewers to consider the merit and value of Cooper's writing amidst cultural critiques. Her influence is felt in the portrayal of complex relationships and the balancing act between desire and consequence, bridging past and present narratives.
Today we head to Rutshire, to take a crack at the frothy, riotous TV adaptation of Jilly Cooper’s 1980s romance novel, Rivals. The eight-episode series follows a cluster of posh English country-dwellers – including TV executive Lord Tony Baddingham (David Tennant) and local heartthrob Rupert Campbell-Black (Alex Hassell) — as they bonk and bust their way around the Cotswolds. Shoulder pads, extramarital affairs and messy dinner parties abound. But what is the show really about: Class? Sex? The 80s? Lilah is joined by the FT's Robert Shrimsley and Harriet Fitch Little to discuss.
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We love hearing from you. Lilah is on Instagram @lilahrap, and email at lilahrap@ft.com. And we’re grateful for reviews on Apple and Spotify!
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Links (all FT links get you past the paywall):
– Rivals is out now on Disney+ in the UK, and Hulu in the US. You can read the FT’s four star review here: https://on.ft.com/40sqQa6
– Robert Shrimsley’s column, ‘Were the 80s as much fun as Jilly Cooper says?’ is here: https://on.ft.com/4f5PcL8
– We also love Jo Ellison’s recent column, ‘Jilly Cooper’s Britain: the bad sex world capital’: https://on.ft.com/3Uvj0Zt