Andy Falconer, a member of The Orb, talks about their ambient album 'SETI' with Alex Paterson. They discuss the creation of cold yet welcoming soundscapes, blending old world samples with acoustic instruments. The podcast dives into mishaps in recording studios, the evolution of music technology, and influences like ketamine on creativity.
SETI album by Alex Paterson and Andy Falconer embraces ambient unplugged music with nostalgic samples and acoustic instruments.
Navigating the dichotomy of creativity and practicality, the speaker emphasizes starting with foundational acoustic instruments in music creation.
Reflecting on early gaming experiences, the speaker highlights impactful nostalgia and creative influence from ZX Spectrum and Commodore 64 gaming.
Deep dives
The Joy of Embracing Nostalgia and Gaming Influences
Embracing the sound world of early gaming years, the speaker, influenced by ZX Spectrum and Commodore 64 gaming experiences, highlights the impactful nostalgia and creative influence experienced from those early gaming times. The intricate manipulations and limitations of the SID chip showcase valuable lessons on achieving varied tones.
Challenges Faced in Pushing Creative Limits
Reflection on the changing creative landscape, the speaker discusses the shifting methods in modern music production, contrasting the intense manipulations on limited hardware in the past with contemporary attempts to overload DAW systems.
Transformative Musical Experiences and Their Inspirations
Exploring the transformative power of music on perception, the speaker delves into personal experiences with ketamine-induced altered states and how certain tones and frequencies under such influence yield profound musical encounters.
Balancing Creativity and Practicality in Music Production
Navigating the dichotomy of creativity and practicality, the speaker ponders on the essence of simplicity in music creation, emphasizing the significance of starting with foundational acoustic instruments like the piano before delving into intricate sound design.
Rediscovering Passion for Music Through Son's Curiosity
After his son discovered his old Atari music equipment and CDs, the narrator reignited his passion for music. Buying new gear led to a culture shock of advanced technology. As he started creating music again, social media connected him with fans from the past, motivating him to continue his musical journey.
Evolution of Recording Process and Musical Collaborations
The podcast delves into the intricate recording process from the past, including the extensive editing on analog tape and mastering challenges. Collaboration with artists like Klaus Schulz influenced music production. The narrative also highlights the shift from smoking in studios to a more professional environment in the present day.
Im going to read from the press release this time coz its a good’n
The simpatico sophomore album by the unstoppably prolific Alex Paterson and fellow Orb original Andy Falconer is an epic sail through the sky at night. Helmed by gentle spirits with warmth in their hearts, ‘SETI’ feels cold and dark, yet also glowing and welcoming. Aboard a cosy candlelit spacecraft, the duo experience the cosmos as somewhere overwhelmingly infinite, yet reassuring and friendly. A sort of ‘ambient unplugged’, it’s full of acoustic instruments and nostalgic samples, folding space between the old world, and places where no man has gone before.
Dr Paterson speaks
“The first LP had a great reception and sold so well I couldn’t even get a copy myself. Andy is brilliant at making ambient music, and working with him is always rewarding. We understand each other’s brains – it’s easy and organic - so doing another made total sense.” He adds, “SETI stands for Search For Extraterrestrial Intelligence, but it’s also something you sit on, to chill out, which is why the album contains a Three Piece Suite. This record is musical ambience, which is what we like to make, rather than drone ambience, which there’s a lot of these days.”
That last point struck me as it describes the sensations I associate with the music of the Orb which is a sort of maximal ambient rush.
It’s a sound that whizzes me right back to my dreamy youth tbh when these guys were so responsible for making the soundtrack that accompanied me through my last years at school. It was a time when I needed music to blow my mind.
When I was told I could speak to an original member of the orb I was so curious to ask Andy how it was all made back in those days. We get into that right at the end of this chat as well as a walk down memory lane and up the present.
It was great to catch up with Andy in Portugal. He’s had quite the life!
Let’s get into it
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