Explore the essential beats of Blake Snyder's Save the Cat! method for outlining your novel, including the Bad Guys Close in beat, All is Lost beat, Dark Night of the Soul beat, and Break Into Three beat. Understand the significance of protagonist hitting rock bottom, facing internal obstacles, making pivotal decisions, and transitioning into a new self in act three.
The Bad Guys Close in beat intensifies external and internal adversaries to set up protagonist's change.
The All is Lost beat signifies the lowest moment for the protagonist, prompting introspection and addressing underlying issues.
Deep dives
Exploring the Bad Guys Close In Beat
The bad guys close in beat is a pivotal multi-scene stage where external and internal adversaries intensify their grip on the protagonist. Following the midpoint, the protagonist endeavors to implement a new flawed plan, yet remains unaware of the story's theme. As they navigate through challenges, the repercussions of their faulty strategies start to converge, leading towards impending consequences.
Navigating the All is Lost Moment
The all is lost beat signifies a single scene where the protagonist hits rock bottom, compounded by external and internal adversaries. Regardless of the direction post the bad guys close in beat, this moment serves as the lowest point prompting introspection. Characters face a stark reality that despite attaining their desires, the underlying issues need addressing to surmount obstacles.
Embracing the Dark Night of the Soul
The dark night of the soul manifests through multiple scenes post the all is lost beat, delving into how the protagonist reacts post adversity. Amidst reflection and potential desolation, characters display varied responses based on their nature. This phase acts as a transition where the protagonist assimilates truths, leading to an epiphany and aligning with the story's theme.
In today's episode, I'm going to walk you through the beats that make up the second half of the middle section of Blake Snyder's Save the Cat! (STC!) beat sheet so that you can efficiently outline (or write) your novel. Here's a preview of what's included:
[01:55] A recap of last week's episode that focused on the first half of the middle beats in the STC! method. Click here to listen to episode #48 first! [03:05] The average novel is about 80k words, and this section (the middle, part two) is about 20k of them. If you write 1,500-word scenes, you're looking at about 14 scenes here. [03:45] Some of the beats are single scene beats while others are multi-scene beats. I will tell you which is which! [04:15] Beat #10 is the Bad Guys Close in beat, which is a multi-scene beat where the external and/or internal bad guys put pressure on your protagonist so that they're ultimately set up for change in the upcoming beats. [09:55 Beat #11 is the All is Lost beat, which is a single scene beat and the worst moment of the story so far for your protagonist where everything feels horrible. [24:25] Beat #12 is the Dark Night of the Soul beat which is a multi-scene beat where the protagonist evaluates, analyzes, and thinks about everything (especially whatever happened in the All is Lost moment) and has an epiphany regarding what to do next. [19:00] Beat #13 is the Break Into Three beat which is a single scene beat where the protagonist takes their first step or action to execute their new plan. [22:15] Key points and episode recap.
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