Ana Lily Amirpour, an Iranian-American filmmaker known for her acclaimed film "A Girl Walks Home Alone at Night," teams up with Gigi Saul Guerrero, a Mexican director celebrated for "La Quinceañera." They delve into how women bring cultural folklore into horror, transforming traditional narratives. Discussions cover the empowering themes of femininity and resilience, as well as how personal identities shape storytelling. They also explore the significance of Mesoamerican folklore and the role of horror as social commentary, challenging conventional cinematic tropes.
Both Ana Lily Amirpour and Gigi Saul Guerrero incorporate their cultural backgrounds into horror, enriching narratives with themes of femininity, power, and folklore.
The horror genre is leveraged by both filmmakers as a means to address social critiques, particularly focusing on issues like immigration and societal taboos.
Deep dives
The Forbidden Nature of Horror
Horror can often be seen as a rebellious form of entertainment, contrasting with cultural prohibitions. For one filmmaker, Gigi, growing up in a strict Catholic household in Mexico, horror represented a breaking of familial norms and a chase after the 'forbidden fruit.' This notion highlights how horror films can invite audiences to explore fears and discomforts that are otherwise kept at bay. By engaging with horror, viewers tap into an exhilarating experience, challenging their own limits and social taboos.
Cultural Influences in Horror Filmmaking
Both filmmakers shared how their backgrounds influenced their approach to the horror genre. Gigi's work draws on Mesoamerican folklore, particularly the concept of nahuales, which she connects with stories and legends from her childhood. Similarly, Ana Lili amalgamates her Iranian heritage with Western elements, using symbols like the chador to explore deeper themes of femininity and power in her storytelling. These cultural narratives not only enrich their films but also resonate with audiences who may share similar histories or experiences.
Social Commentary in Horror
The horror genre serves as a potent medium for social critique, often reflecting broader societal issues. Gigi and Ana Lili acknowledge that while they indulge in traditional horror tropes, they also aim to incorporate meaningful commentary about real-world situations. Gigi's film, Culture Shock, emerged as a reaction to the immigration crisis, intending to highlight the challenges faced by marginalized communities. Both filmmakers believe that horror can transcend mere entertainment, offering audiences a chance to confront uncomfortable truths through the lens of fear.
What happens when women bring traditional folklore into the horror genre and subvert it? You get award-winning feature length films, Iranian vampires and Mayan werewolves to name a few examples. Ella Al-Shamahi is joined by Iranian-American filmmaker Ana Lily Amirpour and Mexican filmmaker Gigi Saul Guerrero to discuss how to create horror on screen.
Ana Lily Amirpour’s award-winning debut feature film, A Girl Walks Home Alone at Night, is a Persian-language Western-horror. It follows a skateboarding vampire who wears a chador and haunts the fictional Iranian ghost-town of Bad City. Feminist readings have interpreted the vampire as a vigilante who preys on men that disrespect women. Ana's later films have included big stars such as Kate Hudson, Suki Waterhouse, Jason Momoa and Keanu Reeves.
Gigi Saul Guerrero is known by fans as La Muñeca Del Terror, which means The Horror Babe. She gained recognition for La Quinceañera, a horror series based on the Mexican traditional celebration of a girl’s fifteenth birthday. Her film Culture Shock follows a Mexican woman who crosses the border into the US in hope of finding the American dream. What she finds instead is an American nightmare. Gigi's work often draws from Mesoamerican folklore and Mexican tradition.
Producer: Elena Angelides
(Image: Gigi Saul Guerrero. Credit: Luchagore Productions. And Ana Lily Amirpour. Credit: Gilbert Flores/Variety/Getty Images)
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