This podcast explores unusual graves, including the stories of Timothy Clark Smith and Lila Maude Davidson-Hanssel. It also delves into the fear of premature burial and the invention of safety coffins. The host discusses the fascination and fear surrounding graveyards and examines the paranormal folklore surrounding Fodor Glava's grave.
Unusual graves, such as Timothy Clark Smith's underground room or Lila Maude Davidson-Hansel's glass-roofed tomb, serve as works of art that symbolize the unique individuals they commemorate.
In the past, the fear of being buried alive motivated people like Timothy Clark Smith, George Washington, and Chopin to take precautions, leading to the invention of safety coffins with bells and breathing tubes.
Deep dives
Unusual Graves: Beyond Simple Headstones
Some graves go beyond simple headstones and serve as works of art. These unique graves are built out of grief and paranoia, and they help define the individuals they commemorate. One example is the grave of Timothy Clark Smith located in Evergreen Cemetery. Smith, who had a fear of being buried alive, had an underground room constructed out of cement and stone, complete with a window to confirm his demise. Another unusual grave is the tomb of Lila Maude Davidson-Hansel in Charlotte, North Carolina. Her tomb features a glass roof that allows sunlight to shine on her, fulfilling her request to be laid where the sun would always illuminate her. Lastly, the grave of Mitty Wilkins Manning in Holly Springs, Mississippi, has a sliding window on the marble slab revealing an empty tomb. It was designed for Mitty's mother to look down at her daughter, but her body was eventually buried underground, leaving an empty grave with a sliding window.
The Fear of Being Buried Alive
A common fear in the past was being buried alive, leading to various inventions to prevent premature burials. Timothy Clark Smith's fear of being buried alive, known as Taphophobia, motivated him to build a grave with numerous safety precautions. Similarly, George Washington and composer Chopin expressed their fears of being buried alive before their deaths. Safety coffins with bells, flags, and breathing tubes were created to help those who found themselves in such a terrifying situation. Though medical advancements have reduced the instances of premature burials, the fear of being buried alive still persists, leading to ongoing innovations in the coffin industry.
Legends and Mystery Surrounding Graves
Some graves become the center of legends and mysteries. The burial site of Fodor Glava in Lafayette Cemetery, Colorado, is rumored to be that of a vampire. Although the stories surrounding Glava's grave are likely more recent folklore, tales spread of locals digging up the grave and finding signs suggesting vampirism. Additional legends include the growth of a tree over Glava's heart and blood-red rose bushes growing from his fingernails. Reports of ghostly sightings and paranormal activities in the cemetery contribute to the mysterious atmosphere surrounding Glava's grave. These legends capture people's imagination, making the burial site a fascination for visitors.
Preserving Local Legends and Unusual Burials
Preserving local legends and unusual burials is crucial to protecting our cultural heritage. Local legends, such as those surrounding Fodor Glava's grave, are important stories that connect communities to their past. The lore website seeks contributions from the public to document and save local legends for future generations. Similarly, unique graves like Timothy Clark Smith's, Lila Maude Davidson-Hansel's, and Mitty Wilkins Manning's graves are significant examples of burial practices and personal stories that deserve to be preserved. By recognizing the value of these tales and resting places, we can ensure they are not forgotten and continue to inspire and captivate people for years to come.
Burial seems like a certainty for most people. But according to the legends that are whispered in graveyards around America, not all burials are created equal.
Narrated and produced by Aaron Mahnke, with writing by Harry Marks and research byCassandra de Alba.