War for the Planet of The Apes: Interview with Writer Mark Bomback

War for the Planet of The Apes: Interview with Writer Mark Bomback By Jacob Krueger JAKE: Today I’m really excited to be hosting my friend Mark Bomback as a special guest on this podcast. As you probably know if you are a listener, Mark is the writer behind the latest two installments of the Planet of the Apes trilogy, Dawn of the Planet of the Apes and War for the Planet of the Apes. As well as a host of other hugely successful blockbusters including Insurgent, Total Recall, The Wolverine and Live Free or Die Hard. First, I just want to say thank you for joining us. MARK: Thank you Jacob. JAKE: The first thing I am curious about is a lot of our writers work in collaboration with other writers, or are thinking about doing those kinds of collaborations. And you’ve had a couple of different kinds of collaborations on the Planet of the Apes Franchise with Rick Jaffa and Amanda Silver on Dawn of the Planet of the Apes and then with Matt Reeves the director on War. I am curious about what those processes were like for you.  What is the difference between working with a partner, coming in to help out with a project like you did on Dawn or working on a script alone? MARK:  Well, you know the thing is, other than Planet of the Apes, I have actually never co-authored anything. And truthfully the only film of the two that I co-authored was the last one, War, which Matt and I truly wrote together from beginning to end. So, how I came onto the Planet of the Apes actually when Rise was heading into production, Rick and Amanda, who were the creators of Rise of Planet of the Apes were getting a little bit---I don’t even know how best to put it-- a little “written out.” It was a really, really intense pre-production, they were doing a lot of cutting edge things. There were just a lot of moving parts, and Rick and Amanda were also producers on the film. So they, along with the other producers, decided it would be great to get an extra set of eyes on this. And so I came on and did some pre-production, inter-production rewriting, and got to work with Rick and Amanda as producers. So, I would sort of vet what I was doing with them, but we didn’t actually write together. And, in fact, I don’t even get credit on Rise because the work was really surgical and had more to do with sort of finessing things. When Dawn came around, Matt Reeves wound up replacing Rupert Wyatt, who was the initial director of Dawn, and when Matt came in, he really had a lot of work to do. So, the studio asked if I would come on and help Matt sort of realize his vision. So, although Rick and Amanda had written a script for Rupert Wyatt that was the starting point of Dawn, when I came in again it was really me working as a writer alone-- actually that isn’t entirely true in that Matt and I were sort of collaborating-- but, Matt was really the director and I was the one doing the writing-- although as we sort of got deeper into production itself, because we had such a crazy timeframe on that movie, Matt and I really were almost functioning like co-writers as well. So, when it came time to work on War, we both agreed “let’s just actually, now that we have the luxury of time a little bit, let’s write it together from beginning, from the very, very start.” And so, it is really the only time I have ever truthfully co-written. And I wound up loving it. And since the screenplay work on War, I am back to writing by myself. And while I do enjoy having the freedom-- certainly in terms of my schedule and having a little more say as to where things are going, and not having to vet everything through my partner-- I really do miss having a partner. Matt and I became super close friends as well as colleagues while working on it. And, I, to this day will vet things with Matt on other things I am working on, and vice versa.   I really came to appreciate what it meant to have a writing partner. You know,