Richard Hoover - Production Designer

1

Introduction

00:00 • 2min

2

You Know, You're in the Deeper, You Know

01:33 • 2min

3

A Short Story About My Life

03:05 • 5min

4

What's That?

08:26 • 2min

5

I Was a Producer, Producer and Producer, and I Got a Job on Real People

10:50 • 2min

6

A New Life, a New Beginning

13:03 • 6min

7

What Did You Learn From That Experience?

18:55 • 2min

8

How Do You Get People on a Page?

21:15 • 2min

9

What Do You Do at Home?

22:50 • 2min

10

Do You Like Locations vs Sets?

25:10 • 2min

11

How Do You Work With a Director on Twin Peaks?

27:31 • 3min

12

How to Get the Right Wheat in a Film?

30:10 • 5min

13

Dead Man Walking After a Beat

35:26 • 2min

14

Angola Prison, You Know?

37:35 • 2min

15

I Love Those Discoveries

39:32 • 2min

16

Do You Like Period Pieces?

41:29 • 3min

17

I Love Assassination of Jesse James

44:51 • 2min

18

You Should Shoot in Saint Joseph Yas?

46:29 • 2min

19

The Blue Cut - Is This Possible?

48:08 • 2min

20

What Do You Do With Effects?

49:52 • 2min

21

Against America, I Like to Get It Designed Early and Le With Plot

52:08 • 3min

22

The Models Are Better

55:03 • 3min

23

Do You Need an Illustrator?

57:58 • 2min

24

The One Filmy Work Tom One Challenge That Stays in Your Head

59:58 • 2min

25

What's the Difference Between Theatre and Film?

01:02:18 • 2min

26

Point of View in Theatre

01:04:02 • 2min

27

Isn't the Adm Visible?

01:05:51 • 2min

28

Are You Considering Changing Your Career?

01:07:33 • 3min

29

Do You Think It's a Good Idea to Start in Theatre?

01:10:19 • 2min