Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway
Dec 9, 2024
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Audra McDonald shares her journey portraying Rose in 'Gypsy,' exploring the significance of race in casting and her experiences as a Black actress in Broadway. She reflects on the therapeutic role of theater during her childhood and the influence of her family on her artistry. The conversation touches on the challenges of colorblind casting and the emotional complexities of balancing a performing career with motherhood, all while highlighting her deep connection to the iconic music of Stephen Sondheim.
Audra McDonald highlights the transformative power of representation in theater, demonstrating how her Black identity shapes and enriches her portrayal of Rose in Gypsy.
In preparing for Gypsy, McDonald emphasizes the importance of historical authenticity and creative freedom, crafting a backstory that humanizes her character while acknowledging the existence of Black performers in vaudeville.
Deep dives
Audra McDonald's Journey to Gypsy
Audra McDonald describes her path to portraying Rose in Gypsy, revealing that it was not a lifelong ambition but rather a gradual realization influenced by a friend's encouragement. Initially skeptical about taking on the role, she found support from Stephen Sondheim, who recognized and endorsed the idea of her playing a character traditionally depicted as white. Their discussions cemented her interest and paved the way to this significant casting. McDonald's journey underscores the importance of representation in theater, as her unique perspective as a Black woman brings a fresh interpretation to the role, which may resonate differently with audiences today.
Creating a Backstory for Rose
In her preparation for the role of Rose, McDonald emphasizes the significance of crafting a backstory for her character, who is rooted in the historical context of Gypsy Rose Lee's life. She acknowledges that while the narrative is inspired by real events, it is presented as a 'musical fable,' allowing for creative freedom in portraying Rose's experiences. McDonald intends to incorporate authentic historical elements, showcasing the existence of Black performers in vaudeville during that era, thus enriching the character's personal history. This thoughtful approach helps to humanize Rose, allowing audiences to connect with her struggles and motivations.
Addressing Contemporary Issues in Theater
McDonald reflects on the contemporary debates surrounding colorblind casting and the authenticity of recasting historical characters as Black. She references an op-ed that questions the validity of redefining characters based on race, while asserting that the nature of Gypsy allows for reinterpretation through a modern lens. By framing the production as a 'musical fable,' the narrative can shift without altering the script's dialogue, making it accessible to new interpretations. McDonald's artistic choices ignite conversations regarding race and representation in theater, prompting audiences to engage with the material beyond its historical context.
“Gypsy,” a work by Stephen Sondheim, Jule Styne, and Arthur Laurents, is often called the greatest of American musicals; a new production on Broadway is a noteworthy event, especially when a star like Audra McDonald is cast in the lead role of Rose. McDonald has won six Tonys for her acting, in both plays and musicals. In the repertoire of musicals, race in casting is still very much an issue, and one columnist criticized her portrayal of Rose because of her race. “I have dealt with this my entire career,” McDonald tells Michael Schulman, recalling that in her breakout performance, in “Carousel,” some audiences “were upset with me that I was playing Carrie, saying, ‘She wouldn’t have been Black.’ There’s a man who comes down from heaven with a star in his hand!” In a wide-ranging interview onstage at The New Yorker Festival, McDonald discusses how when she was a child theatre was initially intended to be a type of therapy for her, and the roles her parents wouldn’t let her take. “Gypsy” is currently in previews on Broadway.
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