Detour • The Next Reel

Mar 26, 2015

Ask episode

Chapters

Transcript

Episode notes

“That’s life. Whichever way you turn, fate sticks out a foot to trip you." There are good films noir and there are bad films noir. But rarely do you have a case like 1945’s “Detour,” directed by Edgar G. Ulmer, where the poor quality that would make it a bad film could actually be construed as elements that make it a good film. In fact, this is arguably the only case where that happened. Join us — Pete Wright and Andy Nelson — as we continue our Film Noir series with Ulmer’s “Detour.” We talk about the origins of the film on poverty row and what that meant at the time, as well as talk about some of the films that Ulmer made under this umbrella. We really dig into the quality — or lack thereof — of this film and debate if it really helps lend to the noir aesthetic or if it just makes it reek of a cheap film. We deliberate over the quality of the performances provided by Tom Neal and Ann Savage and decide we love her but are split on Neal. And we look at it in context of the world of noir, touching on the femme fatale, the poor sap of a hero, the black and white cinematography, the tone, etc. It’s a film that, if viewed without any look into the history or without a conversation about it, likely could be seen as just a bad film, but when really digging into it, there’s something more to it and it certainly is worth talking about. So check it out and tune in! Film Sundries

Support The Next Reel Family of Film Podcasts:

Become a member for just $5/month or $55/year
Join our Discord community of movie lovers

The Next Reel Family of Film Podcasts:

Connect With Us:

Main Site: Web
Movie Platforms: Letterboxd | Flickchart
Social Media: Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest
Your Hosts: Andy | Pete

Shop & Stream:

Merch Store: Apparel, stickers, mugs & more
Watch Page: Buy/rent films we've discussed
Originals: Source material from our episodes
Special offers: Letterboxd Pro/Patron discount | Audible