Ben Luke talks to Tacita Dean, whose 16mm and 35mm films, drawings on blackboard, photogravures, collages, sound works and found object pieces form one of the most poetic bodies of work in contemporary art. Dean was born in 1965 in Canterbury in the UK, but for most of her life as an artist has lived outside of Britain, first in Berlin, which has provided the location for some of her most compelling works, and now between the German capital and Los Angeles. As the three-venue group of museum shows she had in London in 2018 proved, Dean has a deep engagement with the traditional genres of art, making numerous moving portraits on film, as well as stirring and lyrical works exploring landscape, seascape and cityscape. Although film is her primary medium, her works are intimately connected in form and content. Her films regularly have a distinctive painterly quality, evoke the process of collage, and relate directly to her drawings. In this podcast she talks about her love of film as a medium, the pioneering techniques she uses, her encounters with the work of Giotto, with Cy Twombly and Julie Mehretu, and the influence of writers including WG Sebald and JG Ballard. She also discusses her work for The Dante Project, a new production at the Royal Opera House in London with choreography by Wayne McGregor and music by Thomas Adès, for which she has provided the costumes and set designs. Plus, she responds to the ultimate questions we ask all our guests: if you could live with just one work of art what would it be? And what is art for? This episode is sponsored by Bloomberg Connects.
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