The Challenge of Representing God in Drama

The concept of portraying an infinite and transcendent being, such as God, within a stage drama is explored, emphasizing its inherent difficulty. The discussion likens this challenge to the impossibility of inserting Shakespeare into his own play, highlighting the omnipresence of such a figure in the storytelling. The professor shares his approach to selecting 15 plays that address significant theological themes, focusing on how they overtly or covertly convey messages about the divine. Through examples like Dylan Thomas's 'Under Milkwood,' the emphasis is placed on the setting and characters, showcasing a pre-Christian perspective that is rich in human experience yet devoid of direct divine influence.