Percival Everett's "James" is a powerful and thought-provoking novel that reimagines the classic tale of Huckleberry Finn from the perspective of Jim. Everett's writing is both sharp and witty, blending humor and pathos to create a compelling narrative. The novel explores themes of race, freedom, and identity in a way that is both timely and timeless. Everett's unique voice and perspective offer a fresh take on a familiar story, challenging readers to reconsider their assumptions about race and American history. The novel's unexpected twists and turns keep readers engaged until the very end, leaving a lasting impression long after the final page is turned.
In 'Erasure', Thelonious 'Monk' Ellison, a professor of English literature and novelist, struggles with the publishing industry's expectations of what constitutes 'black enough' literature. Frustrated, Monk writes a parody of ghetto novels, titled 'My Pafology' or 'Fuck', which unexpectedly gains widespread acclaim and financial success under the pseudonym Stagg R. Leigh. The novel explores themes of identity, alienation, and the commodification of black experiences, while also delving into Monk's personal life, including his family's struggles and his own identity crisis[1][3][5].
The novel follows Janie Crawford, an African-American woman, as she navigates through three marriages and her quest for love, freedom, and self-identity. Set in central and southern Florida, the story explores themes of race, gender, and identity, depicting Janie's transformation from a voiceless teenage girl to a woman who takes control of her own destiny. The narrative is marked by Janie's relationships with her husbands—Logan Killicks, Joe Starks, and Tea Cake—and her ultimate discovery of true love and independence[1][3][4].
Published in 1884 in the UK and 1885 in the US, 'The Adventures of Huckleberry Finn' is a sequel to Mark Twain's 'The Adventures of Tom Sawyer'. The novel follows Huck Finn, a young boy who escapes his abusive father by faking his own death, and Jim, a runaway slave. Together, they embark on a perilous journey down the Mississippi River on a raft. Along the way, they encounter various characters, including con artists and feuding families, and Huck grapples with moral dilemmas, particularly regarding his support for Jim despite the societal norms against helping a runaway slave. The novel is a critique of pre-Civil War American society, especially its treatment of slavery and racial issues, and it has been praised for its realistic portrayal of boyhood and its exploration of complex moral themes[1][3][5].
Earlier this month, writer Percival Everett was awarded the Pulitzer Prize in Fiction for James, his subversive and singular reimagining of The Adventures of Huckleberry Finn.
At the top, we discuss the philosophical problem that led to James (5:50), what repeated readings of Twain’s classic unlocked in Percival (7:56), the influence of his father’s sense of humor (16:20), how he arrived at writing growing up in South Carolina (19:40), and his relationship to the publishing industry, as depicted in Erasure and later the Oscar-winning film American Fiction (21:59).
On the back-half, we talk about teaching in the digital age (32:26), why Everett still assigns Blazing Saddles to his students (34:22), the “bad neighborhood” of his own mind (46:08), and what he’s chasing—or trying to excavate—each time he sits down to write (47:04).
This conversation was recorded live in Los Angeles in partnership with the Aspen Society.
If you’d like to come to our next live show, it will be Saturday, June 14th at the Tribeca Audio Festival in NYC with actor Sam Rockwell. Tickets here!
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