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Maestro takes the bottom spot in the Best Picture Power Rankings based on the recent award outcomes.
The movie 'Killers of the Flower Moon' lands at number 9 in the rankings, influenced by its award season performance.
Securing the eighth position is 'American Fiction,' slightly behind other contenders in the race.
The film 'Barbie' claims the seventh spot, reflecting both its recognition and competition in the Best Picture category.
Despite its acclaim, 'Past Lives' settles in at number 6, showcasing the intense competition among the top contenders.
Taking the fifth position is 'The Holdovers,' showcasing its consistent popularity and performance throughout the season.
With strong momentum, 'The Zone of Interest' secures the fourth spot, indicating its status as a top contender.
'Poor Things' confidently claims the third position, demonstrating strong support and critical acclaim.
'Anatomy of a Fall' rises to the second spot, gaining appreciation and growing popularity as the award season progresses.
The Oscars voting system is explored, highlighting the differences between branches voting for nominations and the overall membership voting for winners. It emphasizes the psychology and varying approaches of voters, clarifying the misconception that it is a singular monolithic process. Ranked choice voting is discussed in relation to Best Picture nominations to ensure the majority consensus winner among 10 nominees.
The evolution of the Oscars and voting systems is detailed, noting historical trends where nominations reflect the times socially. The growth of the Academy's membership and diversity initiatives is highlighted, showcasing a proactive approach to recognize talent globally. The shift towards modernizing voting procedures like ranked choice voting is viewed as a positive advancement.
The benefits of ranked choice voting in electoral politics are discussed, pointing out how it could prevent vote splitting, increase voter participation, and promote positive campaigning. Examples of its implementation in states like Maine and Alaska, as well as the potential impact on candidate strategies and voter psychology, are explained.
The guest shares personal reflections on the influence of understanding voting systems on Oscar predictions, noting the unpredictability and private nature of the voting process. While appreciating the insight gained from working at the Academy, the guest expresses interest in making Oscar predictions post-employment, now that they can freely engage in the practice.
Sean and Amanda open the show by discussing the SAG Awards and highlight the Netflix streaming experience, Lily Gladstone’s win for Best Actress, and the dominance of 'Oppenheimer’ (1:00). Then, they create their final Best Picture power rankings (43:55). Later, Tom Oyer joins the show to help explain how the Academy Awards actually work and what the voting process looks like (1:01:44).
Hosts: Sean Fennessey and Amanda Dobbins
Guest: Tom Oyer
Producer: Jack Sanders
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