Renowned music director Alexander Lingas, founder of Capella Romana, discusses the formation of the ensemble, the melodic style in Byzantine chant, similarities between different musical traditions, the concepts of terere and kratimata in music, the diverse repertoire of Capella Romana, and the significance of the line 'O'er the Land of the Free and the Home of the Brave'.
Alex Lingus, the founder of Capella Romana, discusses the importance of making music with friends and the sense of common purpose it brings. He highlights the power of music to create bonds and foster a sense of collaboration, even among individuals with different backgrounds and perspectives. Lingus expresses joy in being able to make music with like-minded individuals at the Institute of Sacred Arts.
The Importance of Acoustics
Lingus explains how acoustics play a crucial role in musical performance, shaping the way sound is perceived and transmitted. He discusses the use of innovative technology to recreate the acoustics of specific buildings, such as the ancient church of Ayya Sophia. Lingus emphasizes how different acoustics can profoundly impact the interpretation and delivery of music, influencing factors such as timing, tuning, and overall sound quality.
The Role of Non-Semantic Syllables
Lingus delves into the significance of non-semantic syllables in sacred music, showcasing their use in various musical traditions, including Byzantine chant. He acknowledges the lack of extensive literary commentary on these syllables and the debates surrounding their purpose. Despite this, Lingus emphasizes their integral role in creating musical and emotional impact, offering moments of introspection, release of tension, and moments of jubilation within the overall sonic journey.
Composers as Pastoral Guides
The composer's role as a guide and companion for the listener is discussed, with an emphasis on crafting musical journeys that provide breathing space and moments of respite. Lingus highlights how composers strategically use varying styles, dynamics, and intensities to evoke specific emotional responses and facilitate comprehension. He draws parallels to the deliberate construction of sacred services, where different musical styles and genres are employed to create a sculpted soundscape that guides the listener on a spiritual and musical journey.
One of the leading lights of sacred choral music in the world today, Alexander Lingas has so much to offer in a conversation about music from many times and places, East and West, and its unique power in conveying the sacred.
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