Joe and Erik open the show with Wonder Woman and the film's enormous success over the weekend. From there, it's onto our larger topic, writer/director Trey Edward Shults' sophomore film It Comes At Night, which despite its misleading marketing (it's not a monster movie, more a European-flavored horror/survivalist art picture) is a strong effort nonetheless. We also find time at the end of the show to discuss War Machine and some other deflating original releases from Netflix so far this year.
