Published in 1925, 'The Great Gatsby' is a tragic love story, a mystery, and a social commentary on American life during the Jazz Age. The novel is narrated by Nick Carraway, who moves to Long Island and becomes entangled in the lives of his wealthy and mysterious neighbor, Jay Gatsby, and Gatsby's obsession to win back his first love, Daisy Buchanan. The story delves into themes of honesty, the temptations of wealth, and the struggle to escape the past, ultimately reflecting on the disintegration of the American Dream.
Moby-Dick is a novel that tells the story of Captain Ahab's maniacal quest for revenge against Moby Dick, the giant white sperm whale that bit off his leg. Narrated by Ishmael, the story follows the crew of the whaling ship Pequod as they embark on a journey that explores themes of obsession, man vs. nature, and the existential questions of good and evil. The novel is rich in detailed descriptions of whale hunting and life aboard a culturally diverse crew, and it has become a cornerstone of American and world literature[2][3][5].
The Sound and the Fury is a novel by William Faulkner that chronicles the downfall of the Compson family, former Southern aristocrats, through four different narrative perspectives. The novel is set in the fictional Yoknapatawpha County, Mississippi, and spans several decades. It is narrated by the three Compson brothers—Benjamin 'Benjy' Compson, an intellectually disabled man; Quentin Compson, a Harvard student who commits suicide; and Jason Compson, a bitter and cynical younger brother—and concludes with a third-person omniscient narrative focusing on Dilsey, the family's devoted Black servant. The novel explores themes of time, death, and the disintegration of traditional Southern values, using a stream-of-consciousness style that includes frequent chronological leaps and non-linear storytelling[1][3][5].
Published in 1884 in the UK and 1885 in the US, 'The Adventures of Huckleberry Finn' is a sequel to Mark Twain's 'The Adventures of Tom Sawyer'. The novel follows Huck Finn, a young boy who escapes his abusive father by faking his own death, and Jim, a runaway slave. Together, they embark on a perilous journey down the Mississippi River on a raft. Along the way, they encounter various characters, including con artists and feuding families, and Huck grapples with moral dilemmas, particularly regarding his support for Jim despite the societal norms against helping a runaway slave. The novel is a critique of pre-Civil War American society, especially its treatment of slavery and racial issues, and it has been praised for its realistic portrayal of boyhood and its exploration of complex moral themes[1][3][5].
For American writers, there is something of a quest in American literature to write the great American novel. Such a work would typify the American experience in the same way Homer's epics or Virgil's "Aeneid" did for ancient Greece and Rome, respectively. And while there are many great American novels, there is not one unquestioned work that earns this distinguished honor.
Mark Twain, John Steinbeck, Ernest Hemingway, F. Scott Fitzgerald and more have written works commonly lauded as the "great American novel," but have they gotten there? Is the issue settled? What is the great American novel?
For English teachers, we have the same quest to, at least, identify such a work. In this episode of DCT, Winston Brady speaks with literature teachers Ali Graziosi, Christina Salinas, and Chelsea Wagenaar, and head of classical education Matt Ogle. Each participant makes a pitch for the book they think is the "Great American novel" and why, along with the criteria as to why they picked that work and not others.
What do you think of our criteria? Or of our picks? Did we leave any works out? Be sure to let us in the comments section on your favorite podcasting platform.
Developing Classical Thinkers 
