Author Samy Burch discusses the film 'May December', exploring themes of stability vs. problematic relationships, the significance of the title, the symbolism of the monarch butterfly, the impact of music and location change, the portrayal of Gracie as a symbol of American family life, and the mysteries and unanswered questions in the film.
May December raises questions about consent, the stability of relationships, and the role of tabloid culture in our fascination with transgressions.
The script challenges the audience to scrutinize their own biases and perceptions, pondering forgiveness and redemption.
May December explores the exploitative nature of the media and the blurred boundaries between genuine interest and harmful exploitation.
Deep dives
Exploring the Tangled Relationships and Moral Complexity
May December, a thought-provoking drama written by Sammy Birch and directed by Todd Haynes, delves into the serpentine tale of TV actress Elizabeth as she joins a family marked by scandal. The film refuses to provide easy answers, challenging the audience to grapple with complex moral questions. The story raises issues of consent, the stability of relationships, and the role of tabloid culture in our fascination with transgressions. With nuanced performances and a layered narrative, May December offers a compelling exploration of the blurred lines between right and wrong.
Unraveling the Layers of Identity and past Trauma
Sammy Birch's May December unravels the intricacies of its characters' identities and their traumatic pasts. The film introduces Gracie and Joe, a couple founded on scandal, bringing forward questions about their relationship and the consequences it carries. With Georgie, their son, floating around hints of possible sexual abuse, the script challenges the audience to scrutinize their own biases and perceptions. As the narrative unfolds, the complexity of each character's upbringing, their choices, and their desires become apparent, leaving lingering uncertainties and thought-provoking discussions about forgiveness and redemption.
Dissecting the Exploitative Nature of Media and Art
May December, written by Sammy Birch, delves into the exploitative nature of the media and the art world. The film follows Elizabeth, an actress researching the controversial relationship between Gracie and Joe, and the impact it has had on their lives. Birch explores the tabloid culture that feeds on people's transgressions and the moral dilemmas faced by those involved in the production of sensationalized stories. May December raises questions about the voyeuristic nature of society and the boundaries between genuine interest and harmful exploitation.
The Search for Truth and the Complexity of Relationships
May December, written by Sammy Birch, intricately weaves together the themes of truth-seeking and the complexities of relationships. The film follows Elizabeth as she tries to understand the scandalous relationship between Gracie and Joe. As the narrative unfolds, Birch explores the blurred lines between love, consent, and societal perceptions. The film refuses to provide easy resolutions, instead unpacking the multifaceted dynamics of human connection. May December challenges viewers to question their own judgments and consider the many layers of truth within relationships.
Identity, Trauma, and Ambiguity in May December
May December, directed by Todd Haynes and written by Sammy Birch, delves into the complexities of identity, trauma, and ambiguity. The film explores the relationship between Gracie, Joe, and Elizabeth, raising questions about the consequences of their past actions. Through the lens of societal taboos and moral dilemmas, May December challenges preconceived notions of right and wrong. The script skillfully unravels the layers of each character's identity, leaving room for interpretation and introspection. With its thought-provoking narrative, May December offers a compelling exploration of the human experience.
May December – written by our guest this week, Samy Burch – tells the serpentine tale of a TV actress, Elizabeth (Natalie Portman) who descends upon the home of a family founded on scandal. Two decades have passed since Gracie, portrayed by Julianne Moore, and her now-husband Joe, played by Charles Melton, hit the headlines after beginning a relationship when Gracie was in her mid-thirties and Joe was just thirteen years old. Elizabeth, researching the couple ahead of a film based on their lives, joins the couple (now married with kids) and attempts to understand what makes them each tick. In the process, she discovers that debris still remains from the tabloid storm that engulfed their lives. And we, as an audience, discover that Elizabeth herself has exploitative, machiavellian tendencies of her own.
It’s a story that Samy wrote in 2019 after landing on the idea with her partner, Alex Mechanik. “What would make a 36-year-old woman start an affair with a seventh grader?” you may be wondering – in which case, you’re not alone. Gracie’s former husband echoes those exact words in the film. But May December isn’t interested in answering that – not declaratively, at least. This is a film that refuses absolutes, asking more questions than it answers.
Does the twenty years of stability and apparent happiness that Joe and Gracie have shared together justify the wrongs of how their relationship began? Does the family life they’ve built paper over how predatory and problematic Gracie’s behaviour was, in initiating a sexual partnership with a kid whose voice must only just have broken? And what does it say about us, that as a culture, we’re so drawn to the transgressions of people like Gracie? Are we as parasitic as the prying actress who dismantles their lives, almost on a whim? These are all questions left to us to ponder after its credits roll. They’re also questions that Samy was delighted to give her take on, in my revealing conversation with the first-time screenwriter. Spoilers ahead, so be sure to watch the fantastic May December first before tuning in.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.