What do Andy Warhol, Leonard Cohen, Bob Dylan, Flannery O’Connor, and Bono all have in common? According to writer and cultural historian Paul Elie, they’re “cryptoreligious.” Their art isn’t about affirming doctrine—it’s about invoking mystery, longing, and spiritual disquiet.

In a culture where religious belief is often either rigidly defined or entirely dismissed, these artists dwell in the in between. They don’t preach—but they provoke. Their work invites us into important questions, questions to which the artists themselves often don’t have answers.

This week, Russell Moore talks with Paul Elie, author of The Life You Save May Be Your Own: An American Pilgrimage—Russell’s favorite biography—and the new book The Last Supper: Art, Faith, Sex, and Controversy in the 1980s. Together they explore how religion haunts the work of artists like Dylan (especially his “Christian era”), Cohen (“Hallelujah”), singer Sinéad O’Connor (her unforgettable Saturday Night Live moment), and even Andy Warhol’s more-than-15 minutes of fame.

If you’ve ever felt as if a song lyric or a painting was almost a prayer—or wondered why some of our greatest artists can’t seem to stop brushing up against the divine—this conversation is for you.

Resources mentioned in this episode or recommended by the guest include:

The Last Supper: Art, Faith, Sex, and Controversy in the 1980s by Paul Elie
The Life You Save May Be Your Own: An American Pilgrimage by Paul Elie

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