It’s hard to believe it’s taken us this long to do a prologue and epilogue episode! We talk about beginnings and endings and why they exist and why writers should ignore every piece of broad strokes nonsense advice people want to throw at them. Jen says “Prologues are plot and epilogues are character,” and blows Sarah’s mind with her genius (jk, Sarah already knew she was a genius). And yes, we talk about babies. Fair warning!

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Show Notes

You know, Animal Farm is a good book and King Lear is a good play.

There is a very cute family of foxes living in Chicago’s Millennium Park

Apparently this dogs and rosetone thing is a known issue.

Here is an example of the hardline “Prologues are Bad” stance. || ed note: I’m not mad about it, since I have some known hardline stances myself. Ahem. ||

Our list of things good romance epilogues do: provide needed backstory, historical information, an inciting incident in the past, an unusual set-up, and showcasing the relationship between the primary characters.

Our list of things romance epilogues do: fan service, bringing the whole gang back together in a series,providing a glimpse into the other character’s POV, The HEA fulfilled, the babylogue, and surprise motherfuckers!

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