Reed Morano, director and cinematographer, shares her journey from family documentarian to the world of filmmaking. She discusses getting her first cinematographer job on Craigslist after film school and shooting FROZEN RIVER. We learn about the types of projects she is approached for as a director and what drew her to direct I THINK WE'RE ALONE NOW. They also discuss the challenge of improving scripts and the importance of storytelling.
Reed Murano's passion for storytelling and her introduction to the world of filmmaking through her father's gift of a video camera.
The benefits of Reed Murano serving as both the director and cinematographer in her film 'Metal Land' and how it allowed her to focus on performances rather than obsessing over lighting.
The career-changing opportunities and increased recognition that can arise from having standout work, as exemplified by the success of 'Frozen River' in opening doors for Reed Murano's career as a cinematographer.
Deep dives
Reed Murano's journey into cinematography
Reed Murano, a cinematographer and director, shares her path into the world of filmmaking. From a young age, she had a passion for storytelling, nurtured by her father giving her a video camera. Despite initially not considering movies as a career, she became aware of the emotional impact of cinematography and eventually pursued it in film school. After working on various projects, she landed her first feature film, "Frozen River," which earned critical acclaim. Murano discusses the challenges she faced during the production, including harsh weather conditions and managing personalities on set. Her debut feature exemplified her dedication to storytelling and set the stage for her future directing ventures.
The making of the film "Metal Land"
Reed Murano recounts her experience directing the film "Metal Land." Olivia Wilde and Luke Wilson were cast in the leading roles, and Murano highlights the trust and collaboration among the team. She made the decision to also serve as the cinematographer, as she believed it would allow her to capture the story's essence. Murano's meticulous planning, choice of locations, and small crew enabled her to focus on performances rather than obsessing over lighting. This newfound freedom as a cinematographer elevated her work and inspired her to push boundaries in her craft.
The impact of directing on Reed Murano's career
Reed Murano reflects on the significant role directing played in her career. Directing "Metal Land" provided her with creative control and a deeper understanding of storytelling. She mentions the challenges and rewards of working with actors, particularly Olivia Wilde, who wholeheartedly embraced the role and gained a newfound understanding of motherhood during production. Murano's directing experience allowed her to trust her instincts, direct performances, and make the film a deeply personal and gratifying endeavor.
Importance of Making the Right Project Choices
Being selective about the projects one chooses to work on is crucial, even if it means turning down opportunities. Sometimes, a strong attachment to a script or project can blind one to potential red flags. However, making the right choices based on script quality and personal interest can lead to career-changing opportunities, increased recognition, and wider professional networks.
The Impact of a Breakthrough Project
The success of the film 'Frozen River' played a significant role in the career of the cinematographer, opening up new possibilities and expanding professional reach. It demonstrated the importance of having standout work that captures attention and generates interest. The film's reception at film festivals and its recognition at the Oscars also paved the way for opportunities to work on more independent films, including those showcased at Sundance. This period of shooting different movies allowed for growth, learning, and collaboration with other departments, providing valuable experiences for the cinematographer's future endeavors.
SEASON 2 - EPISODE 65 - REED MORANO - DIRECTOR / CINEMATOGRAPHER
On this episode of the Team Deakins Podcast, director and cinematographer Reed Morano (THE HANDMAID’S TALE, I THINK WE’RE ALONE NOW, MEADOWLAND) speaks with us in a career-spanning conversation. We learn how after being drafted into the position of family documentarian, Reed soon found herself drawn towards the world of filmmaking. Reed reflects on how she may or may not have gotten her first job as a cinematographer on Craigslist after film school and how shooting FROZEN RIVER changed her career. We discuss the types of projects Reed is approached for as a director and how the opportunity to tell a man’s story from her perspective drew her to direct I THINK WE’RE ALONE NOW. Towards the end, we also discuss the noble folly of trying to save a script that just doesn’t work.
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This episode is sponsored by FiileX
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