In *The Performer*, Richard Sennett delves into the intersections of performance in art, particularly music, politics, and daily experience. Drawing on his background as a cellist and his work in sociology, Sennett examines how performance shapes our understanding of rituals, power dynamics, and social interactions. The book is the first in a trilogy focusing on human expression through performance, narration, and imaging.
To the Lighthouse, published in 1927, is a groundbreaking work of modernist literature by Virginia Woolf. The novel is divided into three sections: 'The Window,' 'Time Passes,' and 'The Lighthouse.' It follows the Ramsay family during their summer visits to the Isle of Skye, delving into the inner thoughts and emotions of the characters through stream-of-consciousness techniques. The novel reflects the impact of World War I on the family and society, and it explores themes such as loss, subjectivity, the nature of art, and the problem of perception. Woolf's intricate prose and rich exploration of consciousness make this novel a masterpiece of world literature[1][2][4].
Richard Sennett is a sociologist and the Centennial Professor of Sociology at the London School of Economics, whose work has given particular focus to areas such as how we co-exist in urban spaces and our places of employment. But his new book looks at the role of performance in society. The Performer explores how the spectacle of the arts can be mirrored in roles found elsewhere in life, such as in politics and wider everyday business, where we’re often being encouraged to try and make ourselves the main attraction. Joining Sennett in conversation for this episode is someone who is no stranger to the merits of a good performance, Philip Colins. He was chief speechwriter for Tony Blair and has been an influential writer and columnist at publications ranging from The Times to Prospect magazine and The Evening Standard. Collins also heads up Writing Company, The Draft.
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