Alexander Gallant and Sarah Swire walk us through the ecstatic discipline of making music

Alexander Gallant is a folk singer-songwriter from Dartmouth, Nova Scotia. His songs are simple and direct but also singular and sardonic. He takes a lot of inspiration from the folk revival of the 1960’s, but uses a specific blend of open tuning style fingerpicking and percussive strumming, paired with funny, personal poetry.

He released his debut record, Waiting Tables Blues with Tibet Street Records in November 2023. His second record, Rubber Monster Suit, is a collection of songs about living with sobriety and in the crumbling uncertainty of the modern political landscape. He also writes about love, about living without love, about getting older. It's a beautiful record that encompasses a bunch of different styles of music, from lush jazz-influenced cinematic soundscapes, to psych country, to acoustic singer songwriter warmth.

Sarah Swire, who pops into the conversation a little later, is a multi-disciplinary artist with work spanning across stage, screen and television. They're perhaps best known for playing roles on the smash hit superhero series The Boys, in Anna and the Apocalypse, and on the popular Murdoch Mysteries. They'll be appearing this year in the upcoming Apple TV+ thriller ‘The Last Frontier’ and Hallmark’s new drama 'Ripple.' Swire is an awesome art-rock songwriter and storyteller who, when you see her live, will use wildly compelling monologues and spoken word, or what she calls word art, to create a dizzying spectacle that, honestly, has to be seen to be fully understood.

Their debut album, Sister Swire, was produced by Joel Plaskett in Dartmouth, Nova Scotia. Beyond writing that album, which is so fun by the way, Sarah has toured and performed internationally and composed music for the BBC, Avalon Arts and The National Theatre of Scotland.

In this conversation, we use the occasion of Gallant's new album coming out to explore what weird alchemy gives birth to a song, how writing music can "take the temperature of your brain," as Alexander puts it, and what sorts of expectations tend to be placed on artists in the context of 21st century digital capitalism. We're in a moment where so much music is consumed digitally and repurposed into a soundtrack for our own individual experiences through share culture. What does it looks like to try and leverage that digital space as a way of getting people out of their homes and into the public sphere?

Gallant will be playing a show on May 25th at the beautiful Sanctuary Arts Centre in Dartmouth, alongside Sal. Both will be releasing albums that night; Sal's is called My Friend the Waitress and Gallant has called his Rubber Monster Suit.

Gallant and Swire explain why they think people tend to be more inspired by direct experiences of art. I loved Sarah's point that, when we encounter someone who has committed to creativity out in the world, we're not intimidated or made to feel "feeble" in the way that we sometimes are when we encounter it in a digital space. Making time to summon the courage to have an out of body experience out in the world can be transformative. That's why I'm looking forward to the show on Sunday, and why I think you should go.

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