
 You Must Remember This
 You Must Remember This Billy Wilder 1961-1981 (The Old Man is Still Alive, Part 9)
 Mar 11, 2025 
 Billy Wilder's cinematic evolution during the 1960s and 70s showcases his daring shift from accoladed films to more controversial themes. The podcast highlights his bold collaborations with I.A. Diamond and stories like 'One, Two, Three' that critique capitalism. It dives into 'Avanti,' exploring romance and social expectations, as well as the late work 'Fedora,' which reflects Wilder's feelings of obsolescence in a changing Hollywood. These topics reveal Wilder's fearless engagement with the cultural landscape of his time. 
 01:08:15 
Wilder's Post-Oscar Weirdness
- Billy Wilder won three Oscars for The Apartment in 1960, marking the peak of his career.
- His subsequent films, however, deviated from Academy-approved material, becoming more cynical and vulgar.
Wilder's Late-Career Themes
- Wilder's later films reflected changing times and his shifting position within Hollywood.
- Avanti and Fedora echoed themes from The Apartment and Sunset Boulevard, respectively, showcasing his evolving perspective.
Wilder's Writing Partnerships
- Wilder's career is divided by writing partners: Charles Brackett and I.A. Diamond.
- Brackett, a conservative force, clashed with Wilder politically, while Diamond offered creative liberation.
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 Intro 
 00:00 • 3min 
 Billy Wilder: A Cinematic Evolution 
 02:48 • 8min 
 The Evolution of Billy Wilder's Cinema: Freedom and Perception in Changing Times 
 10:51 • 3min 
 Wilder and Cagney: A Comic Critique of Capitalism 
 13:35 • 11min 
 Breaking Boundaries and Embracing Risks 
 24:10 • 2min 
 The Complex Narrative of 'Avanti': A Journey Through Romance and Social Critique 
 26:34 • 13min 
 Reflections on Remakes and Shifting Cinematic Landscapes 
 40:02 • 5min 
 Wilder's Reflection in Fedora 
 44:44 • 24min 
 Engagement and Support for the Podcast 
 01:08:26 • 2min 

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Hollywood’s 1960s began with Billy Wilder winning three Oscars for The Apartment. But Wilder’s biggest success would also prove to be his last film to be afforded such respectability, as Wilder largely abandoned the type of material that the Academy embraced, and veered gleefully into disreputability. Of the 9 films Wilder made in the 20 years after The Apartment, in this episode we’ll pay special attention to three that were engaged with the rapidly changing culture – in Hollywood and beyond: One, Two, Three (1961); Avanti (1972); and Fedora (1978).
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