Yukio Mishima, a renowned Japanese writer celebrated for his provocative themes on death and warrior culture, delves into the profound connections between artistic expression and physicality. He discusses the limitations of language and advocates for embodying philosophical ideas through action. Mishima reflects on the aesthetics of death, exploring how beauty intertwines with individual identity and mortality. His intricate insights on duty and consciousness draw heavily from Nietzsche, revealing his quest for a 'beautiful death' that resonates with his deepest values.
Mishima explores the duality of existence, emphasizing the need to reconcile the abstract world of words with tangible physical action.
He critiques language as a corrosive force that distorts reality, advocating for experiences that transcend verbal limitations.
Mishima idolizes the concept of a 'beautiful death,' viewing it as essential for affirming one's existence and ideals through martial discipline.
Deep dives
The Duality of Existence
Mishima explores the profound duality between the world of words and the physical existence of the body, suggesting that reconciling these two realms is fundamental. He emphasizes that literature, while it allows for artistic expression, ultimately distorts reality through abstraction, rendering it a mere shadow of experiences. In contrast, physical action embodies life, energy, and movement, reflecting the full spectrum of human existence. Mishima’s personal struggle with this duality led him to integrate the principles of art and action, striving to create a balance between the mental and the physical.
The Corrosive Power of Words
Mishima presents a critical view of language, likening its effects to nitric acid that etches away the true essence of reality. He argues that words reduce the complexity of life into mere abstractions, limiting true understanding and experience. This corrosive nature of language generates a skepticism towards its ability to convey authentic realities, often leaving individuals stranded in a world of concepts rather than direct experience. By acknowledging this dilemma, Mishima emphasizes the need to seek experiences that transcend the limitations imposed by words.
The Pursuit of a Beautiful Death
Mishima idolizes the notion of a 'beautiful death,' viewing it as a culmination of a life devoted to martial discipline and physical perfection. He believes that achieving a tragic yet noble demise is essential to affirming one's existence and corresponding ideals. This quest for beauty in death is deeply intertwined with his physical training and the development of a powerful body. In Mishima's eyes, a profound, sculptured physique makes the eventual confrontation with death all the more meaningful and dignified.
Embodiment and Experience
Mishima posits that the physical body can serve as a vessel to embody ideas, emphasizing that true understanding arises from lived physical experiences rather than intellectual abstraction. This philosophy underscores the value of engaging with the world through action, fighting, and the sensory experiences that accompany them. He argues that the synergy of body and mind is vital for genuine self-realization, and it is through engaging in physicality that one can grasp a more profound existence. This perspective challenges the societal tendency to confine truth within the bounds of linguistic expression.
The Final Confrontation with Death
Mishima sees death as the ultimate opponent, one that requires every human being to confront their existence in the most raw and truthful manner. He believes that true freedom lies in choosing how one faces this inevitability, advocating for asserting control over one’s demise through meaningful and dramatic action. By conceptualizing death as a transformative experience, Mishima strives to transcend the mundane aspects of life and create a lasting impact through deliberate choices. Ultimately, he views the blend of physicality and consciousness as the highest form of existence, culminating in the acceptance of mortality.
Yukio Mishima (born Kimitake Hiraoka, 1925-1970) wrote dozens of stories, including famous works such as Confessions of a Mask, and Patriotism. He was considered for a Nobel Prize in literature about half a dozen times, through he never won it. His works were adapted into films, which received international acclaim. He wrote modern No plays which were performed all over the world, in Europe and America. He is known for his provocative style, his romanticization of death and of warrior culture, and for his political radicalism. Mishima desired to return Japan to a pre-WWII samurai culture, ruled under the absolute authority of a divine emperor – and yet, his writing incorporates influences not only from traditional Japanese literature, but from writers from the west: Rilke, Wilde, Batailles, Klossowski, and, of course, Friedrich Nietzsche. From the time he was 19, when he first picked up a copy of Birth of Tragedy, Mishima had a lifelong fascination with Nietzsche. In this episode, we consider the major philosophical ideas in his combination of confession and criticism, Sun and Steel: the unity of art and action, the corrosive nature of words, and necessity of a 'beautiful death' to truly affirm one's existence.
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