The Invention of Symbology; or, Dan Brown, Part 2 (Angels and Demons & The Da Vinci Code) with Pseud Dionysius MPH

With the 2001 publication of Angels and Demons, Dan Brown shifted away from his early focus on the US security state and its post-Cold War identity crisis and introduced a new protagonist: Harvard professor of "Religious Symbology" Robert Langdon. This improbable hero's first two adventures transport him to the Old World and entangle him with a secretive institution far more ancient than the American deep state: the Roman Catholic Church. Curiously, the rise of Langdon signals Brown's turn away from the national security preoccupations of his early writing just as the 9/11 era brought the challenges facing the US state to the center of most people's attention. Despite its apparently obscure subject matter, 2003's The Da Vinci Code became a sensational hit – one of the bestselling novels of all time – and turned Brown's fictional avatar Langdon into a household name worldwide. Pseud Dionysius MPH joins me once again to try to make sense of Brown's success at forging a new, global anti-postmodern mythology just as the "end of history" consensus of the 1990s was beginning to fracture.